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OverviewFirst published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. Full Product DetailsAuthor: Karen NewmanPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 0.90cm , Length: 21.60cm Weight: 0.310kg ISBN: 9780415489089ISBN 10: 0415489083 Pages: 158 Publication Date: 26 September 2008 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. The inward sprints: Measure for Measure II 2. Comic plot conventions in Measure for Measure 3. Menander and New Comedy4. Plautus and Terence5. The enchantments of Circe 6. 'And all their minds transfigur'd': Shakespeare's early comedies 7. Magic versus time: As You Like It and Twelfth Night 8. Mistaking in Much Ado 9. Shakespeare's Rhetoric of consciousnessReviewsAuthor InformationKaren Newman Tab Content 6Author Website:Countries AvailableAll regions |