Shakespeare's Possible Worlds

Author:   Simon Palfrey (University of Oxford)
Publisher:   Cambridge University Press
ISBN:  

9781107649255


Pages:   394
Publication Date:   01 June 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Shakespeare's Possible Worlds


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Author:   Simon Palfrey (University of Oxford)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.10cm , Height: 2.10cm , Length: 22.90cm
Weight:   0.580kg
ISBN:  

9781107649255


ISBN 10:   1107649250
Pages:   394
Publication Date:   01 June 2017
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'Shakespeare's Possible Worlds establishes Simon Palfrey as one of the great Shakespeare scholars of our age. On every page, Palfrey marshals his command of Renaissance theatrical technique and Baroque philosophy in order to float inventive readings that demonstrate the plenitude and plasticity of Shakespeare's dramatic imagining. Crafting both a philosophy of close reading and a dramaturgy of metaphor, Palfrey discovers a hermeneutics indigenous to theater. As Palfrey summons us to witness Shakespeare knitting shapes from the deep, we rediscover ourselves in the concatenation of worlds that drama assembles.' Julia Reinhard Lupton, University of California, Irvine, and author of Thinking with Shakespeare: Essays on Politics and Life '... unlike any other monograph in Shakespeare criticism published recently ... The intellectual labour that went into [this book] is dazzling. Ideas from literature, literary criticism, art history, fine arts, film, science, religion, rhetoric, philosophy, and new media abound, plunging the reader into an unexpected reading experience.' Goran Stanivukovic, Saint Mary's University, Nova Scotia


'Shakespeare's Possible Worlds establishes Simon Palfrey as one of the great Shakespeare scholars of our age. On every page, Palfrey marshals his command of Renaissance theatrical technique and Baroque philosophy in order to float inventive readings that demonstrate the plenitude and plasticity of Shakespeare's dramatic imagining. Crafting both a philosophy of close reading and a dramaturgy of metaphor, Palfrey discovers a hermeneutics indigenous to theater. As Palfrey summons us to witness Shakespeare knitting shapes from the deep, we rediscover ourselves in the concatenation of worlds that drama assembles.' Julia Reinhard Lupton, University of California, Irvine, and author of Thinking with Shakespeare: Essays on Politics and Life '... unlike any other monograph in Shakespeare criticism published recently ... The intellectual labour that went into [this book] is dazzling. Ideas from literature, literary criticism, art history, fine arts, film, science, religion, rhetoric, philosophy, and new media abound, plunging the reader into an unexpected reading experience.' Goran Stanivukovic, Saint Mary's University, Nova Scotia ... unlike any other monograph in Shakespeare criticism published recently ... The intellectual labour that went into [this book] is dazzling. Ideas from literature, literary criticism, art history, fine arts, film, science, religion, rhetoric, philosophy, and new media abound, plunging the reader into an unexpected reading experience. Goran Stanivukovic, Saint Mary's University


Author Information

Simon Palfrey is Professor of English Literature at the University of Oxford. He is the joint founding editor of Shakespeare Now! His books include Late Shakespeare: A New World of Words (1997), Doing Shakespeare (2004, 2011 - named a Times Literary Supplement International Book of the Year), Shakespeare in Parts (with Tiffany Stern, 2007 - winner of an Arts and Humanities Research Council Innovations Award and the Medieval and Renaissance Drama Society David Bevington Award for best new book on Medieval and Renaissance drama), and Poor Tom: Living 'King Lear' (2014).

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