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OverviewIn his foreword to the volume, Clifford Davidson praises Guilfoyle's application of the concept of scenic form in her study of Hamlet, Othello, and King Lear, and her exposition of Shakespeare's historical consciousness, noting her sensitive examination of the shape of the playwright's scenes when placed against traditional visual configurations and related textual resonances. Any student of Shakespeare will benefit from the nuanced study of his imagery and how it helps to color his characters and the action in his plays. Full Product DetailsAuthor: Cherrell GuilfoylePublisher: Medieval Institute Publications Imprint: Medieval Institute Publications Edition: New edition Volume: 12 Weight: 0.435kg ISBN: 9780918720344ISBN 10: 0918720346 Pages: 171 Publication Date: 01 July 1990 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgments Foreward Introduction Ower Swete Sokor : The Role of Ophelia in Hamlet The Beginning of Hamlet King Hamlet's Two Successors A Kind of Vengeance: Images of Classical and Divine Vengeance in Hamlet Othello, Otuel, and the English Charlemagne Romances Lead to the Sagittary : Victim and Predator in Othello Mactacio Desdemonae: Medieval Scenic Form in the Last Scene of Othello The Way to Dover: Arthurian Imagery in King Lear The Redemption of King Lear Notes IndexReviewsAuthor InformationCherrell Guilfoyle was an honorary research associate at the University of Western Australia. Tab Content 6Author Website:Countries AvailableAll regions |