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9780198793755

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John Kerrigan is, to my mind, one of the most incisive and subtle contemporary writers on Shakespeare. [...] Kerrigan is exceptionally good at unpicking how ideas of originality change. [...] In his conclusion, Kerrigan says... I hope that this book has shown [...] how much light and shade and depth and nuance are needed to comprehend Shakespeare's use of sources [...] . Hurrah to that, and would that each and every university took it as policy. * Scotland on Sunday *

John Kerrigan is, to my mind, one of the most incisive and subtle contemporary writers on Shakespeare. [...] Kerrigan is exceptionally good at unpicking how ideas of originality change. [...] In his conclusion, Kerrigan says... I hope that this book has shown [...] how much light and shade and depth and nuance are needed to comprehend Shakespeare's use of sources [...] . Hurrah to that, and would that each and every university took it as policy. * Stuart Kelly, Scotland on Sunday * Read John Kerrigan's intense, condensed account of the playwright's creative borrowing ... Kerrigan, one of the world's leading Shakespeare scholars, ... takes us beyond Shakespeare's primary sources into the deeper texture of his allusions and passages of imitation. ... The reward is a vivid sense of how original it was to borrow. ... The book is unrepentantly erudite, but the erudition is as diverting as it can be daunting. ... the trust in our literary curiosity is intoxicating. Who wants Shakespeare to be made easy when he was so beautifully and originally complex? * John Mullan, The Guardian * Shakespeare inhabited a literary culture in which imitation was applauded. This erudite study teases out his alchemical transformations of what he had read or seen. * John Mullan, The Guardian * based on learning both wide and deep ... It's bracing to watch Kerrigan perform these intellectual gymnastics ... one emerges with a real sense of new understanding. ... He is a highly respected scholar with a welcome ability to uncover fresh approaches to standard texts rather than indulging in the graceful rearrangement of commonplaces that often constitutes Shakespeare studies. Nobody should deny him his own originality. * Paul Dean, The New Criterion *

John Kerrigan is, to my mind, one of the most incisive and subtle contemporary writers on Shakespeare. [...] Kerrigan is exceptionally good at unpicking how ideas of originality change. [...] In his conclusion, Kerrigan says... I hope that this book has shown [...] how much light and shade and depth and nuance are needed to comprehend Shakespeare's use of sources [...] . Hurrah to that, and would that each and every university took it as policy. * Stuart Kelly, The Scotsman * Read John Kerrigan's intense, condensed account of the playwright's creative borrowing ... Kerrigan, one of the world's leading Shakespeare scholars, ... takes us beyond Shakespeare's primary sources into the deeper texture of his allusions and passages of imitation. ... The reward is a vivid sense of how original it was to borrow. ... The book is unrepentantly erudite, but the erudition is as diverting as it can be daunting. ... the trust in our literary curiosity is intoxicating. Who wants Shakespeare to be made easy when he was so beautifully and originally complex? * John Mullan, The Guardian * Kerrigan writes stylishly yet cites sources scrupulously. His fine-grained, punctilious reading conjures a new model of how academic writing can be pleasing. * Nicholas Birns, Choice * Based on learning both wide and deep ... It's bracing to watch Kerrigan perform these intellectual gymnastics ... one emerges with a real sense of new understanding. ... He is a highly respected scholar with a welcome ability to uncover fresh approaches to standard texts rather than indulging in the graceful rearrangement of commonplaces that often constitutes Shakespeare studies. Nobody should deny him his own originality. * Paul Dean, The New Criterion * ... his analysis of King Lear... is a masterclass in intertextual hermeneutics... Kerrigan's book is important because it undermines facile notions of Shakespeare's genius, as well as our modern concept of creativity. * Stav Sherez, Catholic Herald * Kerrigan shows, through adroit readings ... that Shakespeare's genius lies in precisely how he adapts and plays with well-known texts and audience expectations, ... his analysis of King Lear ... is a masterclass in intertextual hermeneutics. [This] book is important because it undermines facile notions of Shakespeare's genius, as well as our modern concept of creativity. It shows how cubtly nuanced Shakespeare's use of source material always is, and how, by its transmission through his quill, the commonplace and hackneyed could burst forth with shining originality. * Stav Sherev, Catholic Herald *

John Kerrigan is, to my mind, one of the most incisive and subtle contemporary writers on Shakespeare. [...] Kerrigan is exceptionally good at unpicking how ideas of originality change. [...] In his conclusion, Kerrigan says... I hope that this book has shown [...] how much light and shade and depth and nuance are needed to comprehend Shakespeare's use of sources [...] . Hurrah to that, and would that each and every university took it as policy. * Stuart Kelly, Scotland on Sunday * Read John Kerrigan's intense, condensed account of the playwright's creative borrowing ... Kerrigan, one of the world's leading Shakespeare scholars, ... takes us beyond Shakespeare's primary sources into the deeper texture of his allusions and passages of imitation. ... The reward is a vivid sense of how original it was to borrow. ... The book is unrepentantly erudite, but the erudition is as diverting as it can be daunting. ... the trust in our literary curiosity is intoxicating. Who wants Shakespeare to be made easy when he was so beautifully and originally complex? * John Mullan, The Guardian * Shakespeare inhabited a literary culture in which imitation was applauded. This erudite study teases out his alchemical transformations of what he had read or seen. * John Mullan, The Guardian *

Author Information

John Kerrigan was born and brought up in Liverpool. After Oxford, he went to Cambridge where he is Professor of English 2000 and a Fellow of St John's College. He has lectured all over the world, with visiting positions in Japan, India, New Zealand, and the USA. Among his publications are widely-acclaimed books and essays about tragedy since antiquity, Shakespeare, seventeenth-century literature, and modern poetry.

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