|
![]() |
|||
|
||||
OverviewThrough considerable detective work, this work sets out to show that ""Julius Caeser"" was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on ""Julius Caeser"" but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both ""Twelfth Night"" and ""Hamlet"" can be called into question. Full Product DetailsAuthor: Steve Sohmer , Steve SohmerPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 1.80cm , Length: 21.60cm Weight: 0.376kg ISBN: 9780719055669ISBN 10: 0719055660 Pages: 304 Publication Date: 13 May 1999 Audience: General/trade , Professional and scholarly , General , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsPart 1 The building of the Globe and the Elizabethan calendar controversy: building Shakespeare's Globe; Julius Caesar and the Elizabethan calendar controversy; calendrical markers in Julius Caesar ; temporal markers to mid-June 1599 in Julius Caesar ; Shakespeare's Corpus Christi archetypre Part 2 Endemic time confusion in Julius Caesar : the web of Caesar's time; Shakespeare's vernal equinox gambit - Here lies the East... ; why the Sunne of Rome set at three o'clock. Part 3 Shakespeare's Julius Caesar and the moveable feast discordnaces of 1599: the disrupted Easter cycle of 1599; Shrovetide, Saint Valentine's Eve, and the Roman Lupercal; Ash Wednesday, the night of the Lupercal and the eve of the Ides of March; Good Friday, the Ides of March, and the day Christ died; Shakespeare's Third day, the Book of Samuel and the Mass of the Catechumens; Holy Easter, and Shakespeare's April Fools. Part 4 Shakespeare among the assassins: the writer who changed the world. Part 5 Evidence of Calendrical markers in other plays of Shakespeare: prolegomenon for a mode of criticism; Illyria's faulty calendar; real time in Hamlet .ReviewsAuthor InformationSteve Sohmer is Fellow of Lincoln College, Oxford and a Research Associate at the Center for Medieval and Renaissance Studies at the University of California at Los Angeles (UCLA) Tab Content 6Author Website:Countries AvailableAll regions |