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OverviewMusic pervades Shakespeare's work. In addition to vocal songs and numerous instrumental cues there are thousands of references to music throughout the plays and many of the poems. This book discusses Shakespeare's musical imagery according to categories defined by occurrence in the plays and poems. In turn, these categories depend on their early modern usage and significance. Thus, instruments such as lute and viol deserve special attention just as Renaissance ideas relating to musical philosophy and pedagogical theory need contextual explanation. The objective is to locate Shakespeare's musical imagery, reference and metaphor in its immediate context in a play or poem and explain its meaning. Discussion and explanation of the musical imagery suggests a range of possible dramatic and poetic purposes these musical references serve. Full Product DetailsAuthor: Professor Christopher R. WilsonPublisher: Bloomsbury Publishing PLC Imprint: Continuum International Publishing Group Ltd. Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.554kg ISBN: 9781847064950ISBN 10: 1847064957 Pages: 272 Publication Date: 03 November 2011 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsPreface and Acknowledgements \ Introduction: ‘Music to hear':The scope of Shakespeare's musical imagery \ 1. ‘By the sweet power of music': Consonance and harmony \ 2. ‘And doleful dumps the mind oppress': Passionate words \ 3. ‘A delightful measure or a dance': Dance music \ 4. ‘Braying trumpets and loud churlish drums': The music of war \ 5.‘A rhyme is but a ballad': Popular song \ 6. ‘Suppose the singing birds musicians': Birdsong \ 7. ‘Orpheus with his lute': Symbolic persons \ 8. ‘Gamut I am, the ground of all accord': Music theory and pedagogy \ 9.‘A thousand twangling instruments': Art and country instruments \ Epilogue: ‘A swanlike end, fading in music'\ Bibliography \ IndexReviews‘Wilson's contribution is to catalog the ""over 200 references to music and nearly 400 musical terms in Shakespeare's works""; he explains their meanings and explores their possible dramatic, poetic, and symbolic functions...This well-grounded study includes 414 notes and more than 15 pages of bibliography.'—Choice Magazine 'Wilson's contribution is to catalog the over 200 references to music and nearly 400 musical terms in Shakespeare's works ; he explains their meanings and explores their possible dramatic, poetic, and symbolic functions...This well-grounded study includes 414 notes and more than 15 pages of bibliography.'-Choice Magazine Author InformationChristopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Tab Content 6Author Website:Countries AvailableAll regions |