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OverviewLike many of his fellow playwrights, Shakespeare turned to national history for inspiration. In this study, Dominique Goy-Blanquet provides a close comparison of the Henry VI plays and Richard III with their historical and theatrical sources, demonstrating how Shakespeare was able to meet not only the ideological but also the technical problems of turning history into drama, how by cutting, carving, shaping, casting his unwieldy material into performable plays, he matured into the most influential dramatist and historian of his time. Recent criticism of Shakespeare's history plays has often consisted of fierce arguments over their ideological import and Shakespeare's position on the spectrum of current political opinions. This book, however, stems from the belief that a more constructive starting point for research is the exploration of the technical problems raised by turning heavy narratives into performable plays, rather than the political motives that could inpire a playwright's representation of national history. Illuminating and instructive, Shakespeare's Early History Plays includes not only close investigation of the verbal, poetic, and political texture of the plays, but also provides a broad overview of the wider sixteenth-century historiographical contexts of the plays, and their significance to Shakespeare's oeuvre more generally. Full Product DetailsAuthor: Dominique Goy-Blanquet (, Professor of Elizabethan Theatre, University of Picardie)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.10cm , Height: 2.20cm , Length: 24.20cm Weight: 0.620kg ISBN: 9780198119876ISBN 10: 0198119879 Pages: 324 Publication Date: 11 September 2003 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsI. The Mysteries of Henry VI 1: Critical waves 2: Classical shades 3: Cyclical storms 4: From page to stage II. National Unity and Military Honour 5: The matter of 1 Henry VI 6: Borrowing material 7: The theme of union 8: Space and time III. Plotters and Plot 9: Refashioning history 10: Playing with time 11: Piecing out facts IV. Grammatical Laws 12: From narrative to dramatic syntax 13: The appeal to the sources 14: Court masks, street masques V. Unhappy Families 15: The narrative material of 3 Henry VI 16: Dramatic techniques 17: Critical rewriting 18: The literary tradition VI. The Dawn of Tragedy 19: A turn for the worst 20: The new ethics 21: The actors of the drama 22: The tragic structure of history 23: To be continued VII. Unnatural Born Killer 24: The text of Richard III 25: Plotting history 26: Hall's histories of Richard 27: Hall or Holinshed? VIII. Certain Dregs of Conscience 28: Vergil's tragic hell 29: More's dramatic History 30: Poetic licence 31: Designing characters Conclusion: A world to bustle in BibliographyReviewsa thorough, perceptive, and instructive book The Shakespeare Newsletter ... a welcome study, full of information on the relationship between historical writing and history plays, military culture, honour and performance history ... many valuable insights that will make the book an essential reference tool for years to come, especially on the relationship between source-text and stage performance, and a valuable reading of the plays as a tragic cycle. Andrew Hadfield, Times Literary Supplement a thorough, perceptive, and instructive book The Shakespeare Newsletter ... a welcome study, full of information on the relationship between historical writing and history plays, military culture, honour and performance history ... many valuable insights that will make the book an essential reference tool for years to come, especially on the relationship between source-text and stage performance, and a valuable reading of the plays as a tragic cycle. Andrew Hadfield, Times Literary Supplement Author InformationDominique Goy-Blanquet is Professor of Elizabethan Theatre at the University of Picardie. She is a leading French Shakespearean scholar and a regular contributor to the TLS and various French magazines. Tab Content 6Author Website:Countries AvailableAll regions |