Shakespeare’s Audiences

Author:   Matteo Pangallo ,  Peter Kirwan
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367715489


Pages:   234
Publication Date:   26 September 2022
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Shakespeare’s Audiences


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Full Product Details

Author:   Matteo Pangallo ,  Peter Kirwan
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367715489


ISBN 10:   0367715481
Pages:   234
Publication Date:   26 September 2022
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Matteo Pangallo and Peter Kirwan, ""Introduction."" Embodied Audiences Stephanie Shirilan, ""Respiratory Sympathy and Pneumatic Community in Shakespeare."" Joe Falocco, ""Recovering the Humoral Body through Original Practice Performance."" Jennifer A. Low, ""Haptic Experience and Fluid Boundaries: Macbeth and Czech Nationalism at Český Krumlov's Revolving Theater."" Constructing Audiences Romola Nuttall, ""The most lamentable Romaine Tragedie of Titus Andronicus and Audiences from the Inns of Court."" Miles Drawdy, ""‘Cleave the General Ear’: Shakespeare and the Cultural Bias of Early American Radio."" Koel Chatterjee, ""Indian Shakespeare Cinema and the Active Audience."" Pascale Aebischer, ""Gender, Aura, and the Close-Up: Broadcasting Shakespeare for Female Audiences."" Performing Audiences Edel Lamb, ""Shakespeare’s Riotous Audiences: Macbeth at Astor Place, 1849."" Adam Sheaffer, ""‘How novelty may move’: Play and the Boundaries of the Play in the New York Shakespeare Festival’s Mobile Theatre."" Louise Geddes, ""Imagined Theater: Why Fan Audiences Matter."" Observing Audiences Valerie M. Fazel, ""‘A vulgar comment will be made of it’: YouTube and Robert Weimann’s Platea."" Rachael Nicholas, ""Shakespeare’s Digital School Audience: Agency and Control in the Reception of an RSC Schools’ Broadcast."" Emily Lathrop, ""For Everybody: Casting, Race, and Audience Engagement in The Public Theater’s Mobile Unit."""

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Author Information

Matteo Pangallo is an Assistant Professor of English at Virginia Commonwealth University. Peter Kirwan is Associate Professor of Early Modern Drama at the University of Nottingham.

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