Shakespeare, Trauma and Contemporary Performance

Author:   Catherine Silverstone (Queen Mary University of London, UK) ,  Catherine Silverstone
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415956451


Pages:   186
Publication Date:   07 June 2011
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Shakespeare, Trauma and Contemporary Performance


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Full Product Details

Author:   Catherine Silverstone (Queen Mary University of London, UK) ,  Catherine Silverstone
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.500kg
ISBN:  

9780415956451


ISBN 10:   0415956455
Pages:   186
Publication Date:   07 June 2011
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Timely as well as distinctive, Silverstone's book makes a significant contribution to Shakespeare performance studies and, more broadly, to cultural history. - Barbara Hodgdon, University of Michigan, USA


"""Timely as well as distinctive, Silverstone's book makes a significant contribution to Shakespeare performance studies and, more broadly, to cultural history."" - Barbara Hodgdon, University of Michigan, USA"


Timely as well as distinctive, Silverstone's book makes a significant contribution to Shakespeare performance studies and, more broadly, to cultural history. - Barbara Hodgdon, University of Michigan, USA Silverstone's engagement with trauma theory is intricate and adroit...Shakespeare, Trauma and Contemporary Performance...is an eloquent invitation to attend carefully to what it might mean to see violence performed, and what it might mean to witness it. - Emma Cox, Contemporary Theatre Review This is a fluent and stimulating study which is both well researched and alive to the theatrical implications arising from the interaction of Shakespearian productions and their cultural situations. - Peter J. Smith, Year's Work in English Studies


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University of London, UK

Tab Content 6

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