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OverviewNo literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the ""death of the author""? In her cogent book, Lehmann reexamines these issues through a new lens: film theory.An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism.By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect-indeed, as an auteur-in two cultures wherein authors fear to tread. Full Product DetailsAuthor: Courtney LehmannPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 15.20cm , Height: 1.90cm , Length: 22.90cm Weight: 0.454kg ISBN: 9780801487675ISBN 10: 0801487676 Pages: 277 Publication Date: 03 May 2002 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsThe issue of authorship its history, meaning, and significance is what Courtney Lehmann explores in her book Shakespeare Remains: Theatre to Film, Early Modern to Postmodern. Ken Wong, Consciousness, LIterature and the Arts, 4:2, July 2003. Shakespeare Remains . . . provides readers of Shakespeare and performance practitioners with an accessible critical perspective that links the literary body of Shakespeare's received texts to contemporary film adaptations of his plays. -Joe Falocco, Catawba College, Renaissance Quarterly Author InformationCourtney Lehmann is Associate Professor of English and Film Studies and Director of the Pacific Humanities Center at the University of the Pacific. Tab Content 6Author Website:Countries AvailableAll regions |