Shakespeare in Three Dimensions: The Dramaturgy of Macbeth and Romeo and Juliet
Author:   Robert Blacker ,  Magda Romanska
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367735715


Pages:   138
Publication Date:   18 December 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Shakespeare in Three Dimensions: The Dramaturgy of Macbeth and Romeo and Juliet


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Author:   Robert Blacker ,  Magda Romanska
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.280kg
ISBN:  

9780367735715


ISBN 10:   0367735717
Pages:   138
Publication Date:   18 December 2020
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Foreword – Des McAnuff Introduction Part One: Romeo and Juliet: What’s in a Word? 1. The Boys 2. Folios and Quartos 3. Juliet and Romeo 4. The Aural Word: Verse and Prose 5. Mercutio’s Use of Rhetoric 6. Three Households Part Two: Macbeth: Beyond the Dialogue 7. Dramatic Structure 8. English History in the Scottish Play 9. Mr. & Mrs. Macbeth 10. Remember the Porter 11. The Public Story 12. The Shakespeare Industry 13. The Face of Shakespeare Coda: Does Shakespeare Need a Facelift? Bibliography

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Author Information

Robert Blacker was the first dramaturg at Joseph Papp’s Public Theater in New York City, and Des McAnuff’s associate artistic director and dramaturg at the Tony-award-winning La Jolla Playhouse for twelve seasons, where he worked on The Who’s Tommy and Steppenwolf’s Grapes of Wrath. Over fifty projects from Blacker’s eight years as artistic director of the Sundance Theatre Labs went on to production, including I Am My Own Wife and The Laramie Project. He worked on 20 productions of Shakespeare at these theatres and the Stratford Shakespeare Festival of Canada, where he was insitutional dramaturg for five seasons. He has taught Shakespeare studies in graduate theatre programs at Columbia, Iowa, UCSD, and the Yale School of Drama, where he was interim chair of playwriting. His interview is the first of eighty-five articles in The Routledge Companion to Dramaturgy (2015). He is a graduate of Cornell University.

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