Shakespeare in Stages: New Theatre Histories

Author:   Christine Dymkowski (Royal Holloway, University of London) ,  Christie Carson (Senior Lecturer, Royal Holloway, University of London)
Publisher:   Cambridge University Press
ISBN:  

9781107634015


Pages:   324
Publication Date:   18 April 2013
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Shakespeare in Stages: New Theatre Histories


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Author:   Christine Dymkowski (Royal Holloway, University of London) ,  Christie Carson (Senior Lecturer, Royal Holloway, University of London)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.20cm , Height: 1.70cm , Length: 22.90cm
Weight:   0.440kg
ISBN:  

9781107634015


ISBN 10:   1107634016
Pages:   324
Publication Date:   18 April 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Christine Dymkowski and Christie Carson; Part I. Notions of Authenticity: 1. The move indoors Andrew Gurr; 2. Whig heroics: Shakespeare, Cibber, and the troublesome King John Elaine M. McGirr; 3. Coriolanus and the (in)authenticities of William Poel's platform stage Lucy Munro; 4. 'A fresh advance in Shakespearean production': Tyrone Guthrie in Canada Neil Carson; 5. Authenticity in the 21st century: Propeller and Shakespeare's Globe Abigail Rokison; Part II. Attitudes Towards Sex and Gender: 6. Performing beauty on the Renaissance stage Farah Karim-Cooper; 7. The artistic, cultural, and economic power of the actress in the age of Garrick Fiona Ritchie; 8. Women writing Shakespeare's women in the nineteenth century: The Winter's Tale Jan McDonald; 9. 'Not our Olivia': Lydia Lopokova and Twelfth Night Elizabeth Schafer; 10. Measure for Measure: Shakespeare's twentieth-century play Christine Dymkowski; Part III. Questions of Identity: 11. Shakespeare and the rhetoric of scenography 1770–1825 Christopher Baugh; 12. The presence of Shakespeare Susan Bennett; 13. Finding local habitation: Shakespeare's Dream at play on the stage of contemporary Australia Kate Flaherty and Penny Gay; 14. 'Haply for I am black': shifting race and gender dynamics in Talawa's Othello Lynette Goddard; 15. British directors in post-colonial South Africa Brian Pearce; Epilogue: Shakespeare's audiences as imaginative communities Christie Carson.

Reviews

a perfect balance of theory, practice, and depth...a fun tour of signals, noise, circuit techniques, wireless propagation limitations, the math of error correction codes, and the limits of information transfer. - Alfy Riddle, IEEE Microwave Magazine December 2011


a perfect balance of theory, practice, and depth...a fun tour of signals, noise, circuit techniques, wireless propagation limitations, the math of error correction codes, and the limits of information transfer. - Alfy Riddle, IEEE Microwave Magazine December 2011 More experienced readers, especially those who return to the book later on, will find details in the unique explanations that offer greater insight into principles they thought they already knew. - Gary Breed, High-Frequency Electronics


Author Information

Christine Dymkowski is Professor of Drama and Theatre History at Royal Holloway, University of London. Christie Carson is Senior Lecturer in the English Department at Royal Holloway, University of London.

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