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OverviewWe know William Shakespeare matters but we cannot pinpoint, precisely, why he matters. Lacking reasons why, we do our best to involve him in others, or involve others in him. He has been branded many times over-as Catholic, Protestant, Materialist, Marxist, Psychoanalytic, Feminist, Postcolonial, Popular, Cultural, and, even, Popular-Cultural. In many ways, Shakespeare is overwrought. Why one more 'approach' to Shakespeare? One reason is because whatever these approaches say about tragedy in particular, none of them help us to feel tragedy. Or, rather, they subordinate tragedy to something else-to considerations of, say, class, race, or gender. What these approaches manage to do is explain tragedy away. What this book does is to help us feel tragedy first and foremost-hence to perceive it better. The aim of Amir Khan's counterfactual criticism of Shakespeare's tragedies, Hamlet, King Lear, Macbeth, A Winter's Tale and Othello, then, is precisely to reanimate the tragic effect, long since lost in some deluge of explanation. Full Product DetailsAuthor: Amir Khan (Assistant Professor, Liaoning Normal University-Missouri State University (LNU-MSU) College of International Business in Dalian, China)Publisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.434kg ISBN: 9781474409452ISBN 10: 1474409458 Pages: 248 Publication Date: 14 December 2015 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsAcknowledgments; A Note on Texts; 1. Introduction; 2. My Kingdom for a Ghost: Counterfactual Thinking and Hamlet; 3. Reversing Good and Evil: Counterfactual Thinking and King Lear; 4. Staging Passivity: Counterfactual Thinking and Macbeth; 5. Reversing Time: Counterfactual Thinking and The Winter’s Tale ; 6. ‘Why Indeed Did I Marry?’ Counterfactual Thinking and Othello ; 7. Conclusion; Endnotes; Bibliography.Reviews"A splendidly original investigation of Shakespeare's most beloved tragedies. I applaud Khan for his courage and ambition in offering the reader a way of experiencing these familiar plays as if for the first time by re-examining the basic premises of character and action. For readers of his book, Hamlet, Macbeth, Lear, and Othello will never be the same.--Gail Kern Paster ""Folger Shakespeare Library""" A splendidly original investigation of Shakespeare’s most beloved tragedies. I applaud Khan for his courage and ambition in offering the reader a way of experiencing these familiar plays as if for the first time by re-examining the basic premises of character and action. For readers of his book, Hamlet, Macbeth, Lear, and Othello will never be the same. -- Gail Kern Paster * Folger Shakespeare Library * Author InformationAmir Khan is Xinghai Associate Professor of English in the School of Foreign Languages at Dalian Maritime University. His books include Comedies of Nihilism (2017) and Shakespeare in Hindsight (2016). He is managing editor of Conversations: The Journal of Cavellian Studies. He lives and works in China. Tab Content 6Author Website:Countries AvailableAll regions |
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