|
![]() |
|||
|
||||
OverviewThis book is about two very different kinds of company. On the one hand it concerns Shakespeare's poet-playwright contemporaries, such as Marlowe, Jonson, and Fletcher. On the other, it examines the contribution of his fellow actors, including Burbage, Armin, and Kemp. Traditionally, criticism has treated these two influences in separation, so that Shakespeare is considered either in relation to educated Renaissance culture, or as a man of the theatre. Shakespeare in Company unites these perspectives. Bart van Es argues that Shakespeare's decision, in 1594, to become an investor (or 'sharer') in the newly formed Chamberlain's acting company had a transformative effect on his writing, moving him beyond the conventions of Renaissance dramaturgy. On the basis of the physical distinctiveness of his actors, Shakespeare developed 'relational drama', something no previous dramatist had explored. This book traces the evolution of that innovation, showing how Shakespeare responded to changes in the personnel of his acting fellowship and to competing drama, such as that produced for the children's companies after 1599. Covering over two decades of theatrical history, van Es explores the playwright's career through four distinct phases, ending on the conditions that shaped Shakespeare's late style. Paradoxically, Shakespeare emerges as a playwright unique 'in company'--special, in part, because of the unparalleled working conditions that he enjoyed. Full Product DetailsAuthor: Bart van Es (Fellow and University Lecturer, Fellow and University Lecturer, St Catherine's College, University of Oxford)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.40cm , Height: 2.60cm , Length: 23.60cm Weight: 0.718kg ISBN: 9780199569311ISBN 10: 0199569312 Pages: 372 Publication Date: 14 February 2013 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPrologue: Shakespeare's Early Life and the Origins of Commercial Theatre (1576-1592) Phase I: Shakespeare as Conventional Poet-Playwright (1592-1594) 1: Imitation and Identity 2: The Working Conditions of the Playwright 3: Shakespeare as Literary Playwright Phase II: Shakespeare as Company Man (1594-1599) 4: Control over Casting 5: The Events of 1594 6: Relational Drama 7: Shakespeare's Singularity Phase III: Shakespeare as Playhouse Investor (1599-1608) 8: The Globe Partnership 9: Robert Armin 10: The Children's Companies 11: Richard Burbage Phase IV: Shakespeare in the Company of Playwrights Again (1608-1614) 12: The Events of 1608 13: Shakespeare's Late Style 14: Shakespeare and Co-Authorship Conclusion AppendixReviewsShakespeare in Company is a meticulous account of the institutional and economic forces that shaped the plays themselves and an acute analysis of the ways in which this shaping occurred ... This is a sensitive, erudite and intriguing study that demonstrates the inseparability of the rarefied perfections of Shakespeare's art and the day-to-day business of the entertainment industry. Peter J. Smith, Times Higher Education van Es offers a consolidation of recent thinking about Shakespeares plays as products of the collaborative milieu from which they emerged, importantly making explicit the significance of this to an appreciation of his individual writing. Peter Kirwan, Review of English Studies Bart Van Es's lucid and comprehensive book is in a more recent and surely more realistic counter-tradition which sees Shakespeare as pre-eminently involved: a poet at work in the daily professional context of a busy and successful theatre company. Charles Nicholl, The Times Literary Supplement Shakespeare in Company is a meticulous account of the institutional and economic forces that shaped the plays themselves and an acute analysis of the ways in which this shaping occurred ... This is a sensitive, erudite and intriguing study that demonstrates the inseparability of the rarefied perfections of Shakespeare's art and the day-to-day business of the entertainment industry. Peter J. Smith, Times Higher Education Highly recommended F. L. Den, Choice [An] absorbing study The New Criterion van Es shows that Hamlet's claim to an inner reality that lies beyond the reach of 'outward show' is made plausible to the audience through a mastery of linguistic register ... [this book offers] new and helpful ways of thinking about the most familiar works. Michael Neill, London Review of Books [An] absorbing study The New Criterion Shakespeare in Company is a meticulous account of the institutional and economic forces that shaped the plays themselves and an acute analysis of the ways in which this shaping occurred ... This is a sensitive, erudite and intriguing study that demonstrates the inseparability of the rarefied perfections of Shakespeare's art and the day-to-day business of the entertainment industry. Peter J. Smith, Times Higher Education Author InformationBart van Es is Lecturer in English at the University of Oxford and a Fellow of St Catherine's College. He has previously written books on Edmund Spenser and has a special interest in the writing of history in the Renaissance. Shakespeare in Company is his first work on drama and was supported by the award of an AHRC Fellowship. Tab Content 6Author Website:Countries AvailableAll regions |