Shakespeare for Freedom: Why the Plays Matter

Author:   Ewan Fernie (Shakespeare Institute, University of Birmingham)
Publisher:   Cambridge University Press
ISBN:  

9781107130852


Pages:   336
Publication Date:   16 March 2017
Format:   Hardback
Availability:   Available To Order   Availability explained
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Shakespeare for Freedom: Why the Plays Matter


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Full Product Details

Author:   Ewan Fernie (Shakespeare Institute, University of Birmingham)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.70cm , Height: 2.00cm , Length: 23.50cm
Weight:   0.680kg
ISBN:  

9781107130852


ISBN 10:   1107130859
Pages:   336
Publication Date:   16 March 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

1. Reclaiming Shakespearean freedom; 2. Shakespeare means freedom; 3. 'Freetown!' (Romeo and Juliet); 4. Freetown-upon-Avon; 5. Freetown-am-Main; 6. Free artists of their own selves!; 7. Freetown philosopher; 8. Against Shakespearean freedom; 9. The freedom of complete being.

Reviews

Advance praise: 'Ewan Fernie's writing is, as always, invigorating and original, powerful and thoughtful. In familiar areas, he always has much that is new to say. In unfamiliar ones, he sends us off, eager to read what intrigues him.' Peter Holland, McMeel Family Professor in Shakespeare Studies, University of Notre Dame, Indiana


Author Information

Ewan Fernie is Professor at the Shakespeare Institute (University of Birmingham) in Stratford-upon-Avon. He is joint editor of the Shakespeare Now! series and his books include Shame in Shakespeare (2001), Spiritual Shakespeares (2005), Reconceiving the Renaissance (with Ramona Wray, Mark Thornton Burnett and Clare McManus, 2005), Redcrosse: Remaking Religious Poetry for Today's World (2012), The Demonic: Literature and Experience (2012), Thomas Mann and Shakespeare (with Tobias Döring, 2015), and the novel he co-authored with Simon Palfrey, Macbeth, Macbeth (2016), which the philosopher Slavoj Žižek called 'a miracle, an instant classic'. In 2011, he co-wrote a civic liturgy for St George's Day which was performed in major cathedrals; and he is currently co-writing a play after Shakespeare's Pericles about immigration and sexual politics for the Royal Shakespeare Company. He is also working on the forgotten challenge of progressive culture in nineteenth-century Birmingham.

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