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OverviewShakespeare, Dissent and the Cold War is the first book to read Shakespeare's drama through the lens of Cold War politics. The book uses the Cold War experience of dissenting artists in theatre and film to highlight the coded religio-political subtexts in Hamlet, King Lear, Macbeth and The Winter's Tale. Full Product DetailsAuthor: Alfred ThomasPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2014 Weight: 0.355kg ISBN: 9781349494156ISBN 10: 1349494151 Pages: 265 Publication Date: 01 January 2014 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews"""Thomas has written a lively, intelligent, and interesting study of the politics of Shakespearean drama and its relationship to the literature and theater of Cold-War (and post-Cold-War) Europe. He examines Shakespeare's deliberate employment of religio-political codes that call attention to the persecution of English Catholics, the repressive practices of the English government and the socially disruptive effects of religious antagonisms. In analyzing Russian film versions of Hamlet and King Lear as indirect criticisms of the Soviet system, the Czech-English playwright Tom Stoppard's Cahoot's Macbeth in the context of post-1968 Czech political resistance, and Ingeborg Bachmann's poem 'Bohemia Lies on the Sea,' Thomas highlights the political potential of Shakespearean drama that can be translated into powerful political protest and analysis in changed (modern) circumstances."" - Arthur Marotti, Wayne State University, USA" Thomas has written a lively, intelligent, and interesting study of the politics of Shakespearean drama and its relationship to the literature and theater of Cold-War (and post-Cold-War) Europe. He examines Shakespeare's deliberate employment of religio-political codes that call attention to the persecution of English Catholics, the repressive practices of the English government and the socially disruptive effects of religious antagonisms. In analyzing Russian film versions of Hamlet and King Lear as indirect criticisms of the Soviet system, the Czech-English playwright Tom Stoppard's Cahoot's Macbeth in the context of post-1968 Czech political resistance, and Ingeborg Bachmann's poem 'Bohemia Lies on the Sea,' Thomas highlights the political potential of Shakespearean drama that can be translated into powerful political protest and analysis in changed (modern) circumstances. - Arthur Marotti, Wayne State University, USA Author InformationAlfred Thomas is Professor of English at the University of Illinois at Chicago, having previously taught at Rutgers, Harvard and Berkeley, USA. He is the author of seven books, including A Blessed Shore: England and Bohemia from Chaucer to Shakespeare (2007) and Prague Palimpsest: Writing, Memory, and the City (2010). Tab Content 6Author Website:Countries AvailableAll regions |
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