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OverviewShakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender. Full Product DetailsAuthor: S. RylePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 2.00cm , Length: 21.60cm Weight: 4.385kg ISBN: 9781137332059ISBN 10: 1137332050 Pages: 253 Publication Date: 08 November 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface Introduction: Shakespeare, Cinema and Desire 1. Something from Nothing: King Lear and Film Space 2. Body Space: The Sublime Cleopatra 3. Ghost Time: Unfolding Hamlet 4. Re-nascences: The Tempest and New Media Epilogue BibliographyReviewsShakespeare, Cinema and Desire is sophisticated, thought-provoking, and intellectually stimulating. Simon Ryle's relation of the Shakespearean text to later films is outstanding; he provides many compelling, unique readings of Shakespeare's language in specific adaptations and in the history of cinema itself. The book is an important addition to existing Shakespeare and film criticism that will appeal to Shakespearean scholars, teachers, and students. - Lisa Starks-Estes, University of South Florida, USA Author InformationSimon Ryle is Assistant Professor in early modern literature, film, and critical theory at the University of Split, Croatia. Tab Content 6Author Website:Countries AvailableAll regions |