Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language

Author:   S. Ryle
Publisher:   Palgrave Macmillan
ISBN:  

9781137332059


Pages:   253
Publication Date:   08 November 2013
Format:   Hardback
Availability:   In Print   Availability explained
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Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language


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Overview

Shakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.

Full Product Details

Author:   S. Ryle
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 2.00cm , Length: 21.60cm
Weight:   4.385kg
ISBN:  

9781137332059


ISBN 10:   1137332050
Pages:   253
Publication Date:   08 November 2013
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface Introduction: Shakespeare, Cinema and Desire 1. Something from Nothing: King Lear and Film Space 2. Body Space: The Sublime Cleopatra 3. Ghost Time: Unfolding Hamlet 4. Re-nascences: The Tempest and New Media Epilogue Bibliography

Reviews

Shakespeare, Cinema and Desire is sophisticated, thought-provoking, and intellectually stimulating. Simon Ryle's relation of the Shakespearean text to later films is outstanding; he provides many compelling, unique readings of Shakespeare's language in specific adaptations and in the history of cinema itself. The book is an important addition to existing Shakespeare and film criticism that will appeal to Shakespearean scholars, teachers, and students. - Lisa Starks-Estes, University of South Florida, USA


Author Information

Simon Ryle is Assistant Professor in early modern literature, film, and critical theory at the University of Split, Croatia.

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