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OverviewShakespeare, Authority, Sexuality is a powerful reassessment of cultural materialism as a way of understanding textuality, history and culture, by one of the founding figures of this critical movement. Alan Sinfield examines cultural materialism both as a body of ongoing argument and as it informs particular works by Shakespeare and his contemporaries, especially in relation to sexuality in early-modern England and queer theory. The book has several interlocking preoccupations: theories of textuality and reading the political location of Shakespearean plays and the organisation of literary culture today the operation of state power in the early-modern period and the scope for dissidence the sex/gender system in that period and the application of queer theory in history. These preoccupations are explored in and around a range of works by Shakespeare and his contemporaries. Throughout the book Sinfield re-presents cultural materialism, framing it not as a set of propositions, as has often been done, but as a cluster of unresolved problems. His brilliant, lucid and committed readings demonstrate that the ‘unfinished business’ of cultural materialism - and Sinfield’s work in particular - will long continue to produce new questions and challenges for the fields of Shakespeare and Renaissance Studies. Full Product DetailsAuthor: Alan Sinfield (University of Sussex, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Volume: v. 3 Dimensions: Width: 13.80cm , Height: 1.30cm , Length: 21.60cm Weight: 0.440kg ISBN: 9780415402361ISBN 10: 0415402360 Pages: 238 Publication Date: 30 June 2006 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Unfinished Business: Problems in Cultural Materialism 2. Pastoral, As You Like It, and the Ideology of Literary History 3. Poetaster, The Author, and the Perils of Cultural Production 4. How to Read The Merchant Of Venice Without Being Heterosexist 5. Cultural Materialism And Intertextuality: The Limits of Queer Reading in A Midsummer Night’s Dream and The Two Noble Kinsmen 6. Effeminacy, Friendship and the Hero in Marlowe and Shakespeare 7. Near Misses: Ganymedes and Pageboys 8. Sex and the Lyric: Sidney, Barnfield, Marlowe 9. What Happens in Shakespeare’s Sonnets 10. Rape and Rights: Measure For Measure and the Limits of Cultural Imperialism 11. Unfinished Business: Reprise Bibliography IndexReviews'If there were a version of Desert Island Discs for literary criticism, this book would top the list of things I would want with me to read again and again for its clarity of purpose, its generosity of spirit, the brilliance of its insights, and its ability to engage seamlessly and resonantly with current scholarship, contemporary politics, historical dynamics, and the meanings of Shakespeare.' - Lena Cowen Orlin, University of Maryland, USA, and Executive Director of the Shakespeare Association of America 'Alan Sinfield has been one of the most thoughtful and provocative writers on early modern culture for the last two decades and his critical power is evident throughout this book.' - Kate McLuskie, Director of the Shakespeare Institute, Stratford-upon-Avon, UK 'If there were a version of Desert Island Discs for literary criticism, this book would top the list of things I would want with me to read again and again for its clarity of purpose, its generosity of spirit, the brilliance of its insights, and its ability to engage seamlessly and resonantly with current scholarship, contemporary politics, historical dynamics, and the meanings of Shakespeare.' - ""Lena Cowen Orlin, University of Maryland, USA, and Executive Director of the Shakespeare Association of America"" 'Alan Sinfield has been one of the most thoughtful and provocative writers on early modern culture for the last two decades and his critical power is evident throughout this book.' -"" Kate McLuskie, Director of the Shakespeare Institute, Stratford-upon-Avon, UK"" Author InformationAlan Sinfield Tab Content 6Author Website:Countries AvailableAll regions |