Shakespeare and the Materiality of Performance
Author:   E. Lin
Publisher:   Palgrave Macmillan
ISBN:  

9781137001061


Pages:   238
Publication Date:   14 September 2012
Format:   Hardback
Availability:   In Print   Availability explained
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Shakespeare and the Materiality of Performance


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Overview

Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.

Full Product Details

Author:   E. Lin
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 15.50cm , Height: 1.50cm , Length: 23.50cm
Weight:   0.541kg
ISBN:  

9781137001061


ISBN 10:   1137001062
Pages:   238
Publication Date:   14 September 2012
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

PART I: PERFORMANCE EFFECTS Introduction: Materializing the Immaterial Theorizing Theatrical Privilege: Rethinking Weimann's Concepts of Locus and Platea PART II: THEATRICAL WAYS OF KNOWING Staging Sight: Visual Paradigms and Perceptual Strategies in Love's Labor's Lost Imaginary Forces: Allegory, Mimesis, and Audience Interpretation in The Spanish Tragedy PART III: EXPERIENCING EMBODIED SPECTACLE Dancing and Other Delights: Spectacle and Participation in Doctor Faustus and Macbeth Artful Sport: Violence, Dismemberment, and Games in Titus Andronicus , Cymbeline , and Doctor Faustus

Reviews

' Shakespeare and the Materiality of Performance powerfully redirects our attention as scholars of early modern drama to the fact that the plays we discuss were performed before audiences carrying specific cultural assumptions about what it meant to engage in watching and listening to theatrical spectacle. This book is of value to scholars interested in performance theory more broadly but will also be useful to historicist scholars seeking to understand the nuances of bodies, actors, and representational drama converging in particular moments upon the early modern stage . . . Lin's analyses are sharp, provocative, and helpful for scholars seeking to approximate early modern ideological and social conditions of interpretative strategies in theater.' - Journal of the Northern Renaissance


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Author Information

Erika T. Lin is Associate Professor in the Ph.D. Program in Theatre at the Graduate Center, The City University of New York, USA

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