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OverviewFull Product DetailsAuthor: Peter Sabor , Paul YachninPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.30cm , Length: 23.40cm Weight: 0.453kg ISBN: 9780754662952ISBN 10: 0754662950 Pages: 202 Publication Date: 28 September 2008 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents: Introduction, Peter Sabor and Paul Yachnin; Part I Theorizing Shakespeare in the 18th Century and Beyond: 'A system of oeconomical prudence': Shakespearean character and the practice of moral inquiry, Michael Bristol; Shakespeare and sympathy, Jean Marsden; The 'vexed question': Shakespeare and the nature of middle-class appropriation, Nicholas Hudson. Part II 18th-Century Editors and Interpreters: The influence of the female audience on the Shakespeare revival of 1736-1738: the case of the Shakespeare Ladies Club, Fiona Ritchie; George Steevens and the 1778 Variorum: a hermeneutics and a social economy of annotation, Marcus Walsh; William Shakespeare and Edmund Burke: literary allusion in 18th-century British political rhetoric, Frans de Bruyn; Fairy time from Shakespeare to Scott, Marcie Frank. Part III 18th-Century Adaptation and Reception: Looking for Richard II, Paul Yachnin; Awful pomp and endless diversity: the sublime Sir John Falstaff, Amanda Cockburn; Looking for 'Newtonian' laws in Shakespeare: the mystifying case of the character of Hamlet, Gefen Bar-On Santor; Why girls look like their mothers: David Garrick rewrites The Winter's Tale, Jenny Davidson; Index.Reviews'This fine collection of nuanced essays complements - and often challenges - the dominant late twentieth-century rhetoric of eighteenth-century appropriation, shifting the debate from a prescriptive reading of Shakespeare as ideological tool to a more sophisticated discussion of skill and influence that relocates text, performance and reception in the literary, aesthetic and cultural history of the period through a consideration of the relationship with the past. It deserves a wide readership.' Catherine M.S. Alexander, University of Birmingham, UK 'Peter Sabor and Paul Yachnin's excellent collection... this fascinating set of essays surpasses its remit... illuminating the diverse ways of talking about Shakespeare in the eighteenth century, this collection will open up new conversations about his reception in the future.' Times Literary Supplement 'The cumulative weight and depth of this collection of essays underscore the ideological and social differences in the theatrical and literary environment of the Elizabethan age and the Enlightenment. This volume is a welcome addition to the spirit of enquiry so prevalent in its subject matter.' Restoration and Eighteenth-Century Theatre Research 'This fine collection of nuanced essays complements - and often challenges - the dominant late twentieth-century rhetoric of eighteenth-century appropriation, shifting the debate from a prescriptive reading of Shakespeare as ideological tool to a more sophisticated discussion of skill and influence that relocates text, performance and reception in the literary, aesthetic and cultural history of the period through a consideration of the relationship with the past. It deserves a wide readership.' Catherine M.S. Alexander, University of Birmingham, UK ’Peter Sabor and Paul Yachnin's excellent collection... this fascinating set of essays surpasses its remit... illuminating the diverse ways of talking about Shakespeare in the eighteenth century, this collection will open up new conversations about his reception in the future.’ Times Literary Supplement 'The cumulative weight and depth of this collection of essays underscore the ideological and social differences in the theatrical and literary environment of the Elizabethan age and the Enlightenment. This volume is a welcome addition to the spirit of enquiry so prevalent in its subject matter.' Restoration and Eighteenth-Century Theatre Research 'This fine collection of nuanced essays complements - and often challenges - the dominant late twentieth-century rhetoric of eighteenth-century appropriation, shifting the debate from a prescriptive reading of Shakespeare as ideological tool to a more sophisticated discussion of skill and influence that relocates text, performance and reception in the literary, aesthetic and cultural history of the period through a consideration of the relationship with the past. It deserves a wide readership.' Catherine M.S. Alexander, University of Birmingham, UK 'Peter Sabor and Paul Yachnin's excellent collection... this fascinating set of essays surpasses its remit... illuminating the diverse ways of talking about Shakespeare in the eighteenth century, this collection will open up new conversations about his reception in the future.' Times Literary Supplement 'The cumulative weight and depth of this collection of essays underscore the ideological and social differences in the theatrical and literary environment of the Elizabethan age and the Enlightenment. This volume is a welcome addition to the spirit of enquiry so prevalent in its subject matter.' Restoration and Eighteenth-Century Theatre Research Author InformationPeter Sabor is Canada Research Chair in Eighteenth Century Studies and Professor of English, and Paul Yachnin is Tomlinson Professor of Shakespeare Studies in the Department of English, McGill University, Canada. Peter Sabor, Paul Yachnin, Michael Bristol, Jean Marsden, Nicholas Hudson, , Fiona Ritchie, Marcus Walsh, Frans de Bruyn, Marcie Frank, Paul Yachnin, Amanda Cockburn, Gefen Bar-On Santor, Jenny Davidson. Tab Content 6Author Website:Countries AvailableAll regions |