Overview

Encompassing a wide variety of genres, media and art forms across a broad historical scope, this open access book identifies central strategies of serialization in Shakespeare’s plays and their adaptations. Beginning with an introduction that theorizes the method of reading Shakespeare serially on page, stage and screen, the first section investigates Shakespeare himself as a serial writer and serial rewritings of Shakespeare by Joyce and Beckett. Shakespeare and Seriality then moves to a series of case studies of performative seriality from the early modern stage to theatre, film and ballet in the 20th and 21st centuries. It culminates in the analysis of adaptations of Shakespeare in complex TV series, including Succession, the postapocalyptic series Station Eleven and the cosy crime series Shakespeare and Hathaway. This book investigates Shakespeare’s seriality from various theoretical perspectives and through multiple methods, including gender and queer theory, ecocriticism, memory and heritage studies, psychoanalysis, empathy studies and fandom studies, reception history and theatre history. Examining serial reading as a method of establishing intertextual and intermedial links, this volume contributes to recent developments in adaptation studies including the debate between Shakespeare and ‘not-Shakespeare’. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Centre of Cultural Inquiry (ZKF) and the Publication Fund of the University of Konstanz.

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9781350437265

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This brilliant book shows how Shakespearean drama spirals forward in a process of creative returns. It brings into fresh focus an extraordinary range of material – from Shakespeare’s own artistry to the structures of history, from ballet to Beckett, from comfort television to trauma, apocalypse and the posthuman. The rich range of approaches includes queer theory, theatre history, memory studies and psychoanalysis. But perhaps its most valuable contribution is to define self-consciously serial reading itself as a form of creative interpretation and renewal of Shakespeare’s form and meanings. * Ewan Fernie, Shakespeare Institute, University of Birmingham, UK *

Author Information

Elisabeth Bronfen is Professor Emerita of English and American Studies at the University of Zurich, Switzerland and Global Distinguished Professor at NYU. She is the author of several books including Serial Shakespeare. An Infinite Variety of Appropriations in American T.V. Drama (2020), Night Passages. Philosophy, Literature, and Film (2013) and Crossmappings. On Visual Culture (2018). Christina Wald is Professor of English Literature and Director of the Centre for Cultural Inquiry at the University of Konstanz, Germany. She is the author of several books including Shakespeare’s Serial Returns in Complex TV (2020). Her work has appeared in journals including Shakespeare Survey, Shakespeare, Shakespeare Bulletin, Modern Drama, Adaptation, Anglia, The Journal of Commonwealth Literature and Classical Receptions Journal.

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