Full Product Details
Author: Dr Adam Hansen (Northumbria University, UK)
Publisher: Continuum Publishing Corporation
Imprint: Continuum Publishing Corporation
Dimensions:
Width: 13.80cm
, Height: 1.80cm
, Length: 21.60cm
Weight: 0.263kg
ISBN: 9781441126986
ISBN 10: 1441126988
Pages: 200
Publication Date: 22 November 2010
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Language: English
Reviews
This unique book combines a pop music fan's dedication with an academic's rigour - and gives us an analysis of Shakespeare in popular music and popular music in Shakespeare, in which Shakespeare is both sampler and sampled. From ballads to the Beatles and from Elizabethan sermons to internet fan sites, Hansen's enthusiasm is capacious and revealing. The rest certainly is not silence in a book which collapses distinctions between high and low culture, and is as comfortable with House as with Hamlet. -- Emma Smith, Fellow and Tutor in English, Senior Tutor, University of Oxford, UK 'Hansen's passion for both Shakespeare and popular music is infectious and makes me want to revisit Shakespeare's plays. I highly recommend this book so go and order it from your local independent bookstore or visit Continuum's site.' -- Elaine Cusack, rocksbackpagesblog.com Adam Hansen's Shakespeare and Popular Music is a work clearly informed by the author's passion for both of these subjects... -- Routledge ABES Reviewed in The Times Literary Supplement Adam Hansen offers an audacious analysis of the uses to which contemporary music has put Shakespeare and 'Shakespeare' has put contemporary music. The result is a delightful bricolage of early-modern and post-modern cultural history in which Freud, Adorno and Walter Benjamin rub shoulders with Duke Ellington, Cowboy Jack Clement, the Kaiser Chiefs, numerous rappers, punks and folk-singers as vital interpreters of the Shakespearean text. -- Greg Walker, Masson Professor of English Literature, University of Edinburgh, UK
Reviewed in The Times Literary Supplement
Adam Hansen's Shakespeare and Popular Music is a work clearly informed by the author's passion for both of these subjects...--Sanford Lakoff
Reviewed in The Times Literary Supplement Adam Hansen offers an audacious analysis of the uses to which contemporary music has put Shakespeare and 'Shakespeare' has put contemporary music. The result is a delightful bricolage of early-modern and post-modern cultural history in which Freud, Adorno and Walter Benjamin rub shoulders with Duke Ellington, Cowboy Jack Clement, the Kaiser Chiefs, numerous rappers, punks and folk-singers as vital interpreters of the Shakespearean text. --Sanford Lakoff This unique book combines a pop music fan's dedication with an academic's rigour - and gives us an analysis of Shakespeare in popular music and popular music in Shakespeare, in which Shakespeare is both sampler and sampled. From ballads to the Beatles and from Elizabethan sermons to internet fan sites, Hansen's enthusiasm is capacious and revealing. The rest certainly is not silence in a book which collapses distinctions between high and low culture, and is as comfortable with House as with Hamlet. --Sanford Lakoff 'Hansen's passion for both Shakespeare and popular music is infectious and makes me want to revisit Shakespeare's plays. I highly recommend this book so go and order it from your local independent bookstore or visit Continuum's site.'--Sanford Lakoff Adam Hansen's Shakespeare and Popular Music is a work clearly informed by the author's passion for both of these subjects...--Sanford Lakoff
Author Information
Adam Hansen is Lecturer in English at Northumbria University, UK. Adam Hansen is Senior Lecturer in English Literature and Programme Leader, Northumbria University, UK.
