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OverviewFirst published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. Full Product DetailsAuthor: Karen NewmanPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.80cm , Length: 21.60cm Weight: 0.470kg ISBN: 9780415352710ISBN 10: 0415352711 Pages: 166 Publication Date: 23 December 2004 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction; Chapter 1 The inward springs; Chapter 2 Comic plot conventions in Measure for Measure; Chapter 3 Menander and New Comedy; Chapter 4 Plautus and Terence; Chapter 5 The enchantments of Circe; Chapter 6 ‘And all their minds transfigur’d’; Chapter 7 Magic versus time; Chapter 8 Mistaking in Much Ado; Chapter 9 Shakespeare’s rhetoric of consciousness;ReviewsAuthor InformationKaren Newman Tab Content 6Author Website:Countries AvailableAll regions |