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An energetic and talented team of the foremost American scholars of seventeenth-century European drawings have combined forces to produce a fascinating compendium for the Midwest Art History Society. In a breathtaking sweep through an abundance of Italian and Dutch drawings, to a more succinct representation of Flemish and French masterpieces, this volume offers a remarkable range of material and subjects from this dramatic era in European history. Interesting works of high quality capture the magic and energy of the Baroque, whether acknowledged gems or lesser-known treasures. In addition to the highly readable entries, there is a fascinating Introduction and overview by Shelley Perlove and rich and rewarding essays on the various schools by Babette Bohn (Italian), George Keyes (Dutch), Kristen Nelson (Flemish) and Alvin Clark (French). There are certain to be delightful surprises for even the most seasoned connoisseur. -Suzanne Folds McCullagh, Anne Vogt Fuller and Marion Titus Searle Chair and Curator, Department of Prints and Drawings, The Art Institute of Chicago This stunning book brings together more than one hundred drawings by major seventeenth-century artists selected from eighteen municipal and university museums in Midwestern collections. It shows how these museums contribute so much to the wealth of old master drawings in American collections. The Dutch, Flemish, French, and Italian drawings are discussed by seven well-known art historians and museum curators, illustrated in color, with additional text figures. The editors visited more than forty Midwestern collections to make their careful selections for this beautifully produced volume. -Anne-Marie Logan, independent scholar and specialist in northern European drawings This catalogue . . . distills the Midwest's surprisingly vast and varied inventory down to a manageable 109 drawings . . . this handsomely illustrated and thoroughly researched catalogue does these drawings justice. -Sixteenth Century Journal

This catalogue . . . distills the Midwest's surprisingly vast and varied inventory down to a manageable 109 drawings . . . this handsomely illustrated and thoroughly researched catalogue does these drawings justice. --Sixteenth Century Journal, XLVII/2 2016

This catalogue . . . distills the Midwest's surprisingly vast and varied inventory down to a manageable 109 drawings . . . this handsomely illustrated and thoroughly researched catalogue does these drawings justice. --Sixteenth Century Journal An energetic and talented team of the foremost American scholars of seventeenth-century European drawings have combined forces to produce a fascinating compendium for the Midwest Art History Society. In a breathtaking sweep through an abundance of Italian and Dutch drawings, to a more succinct representation of Flemish and French masterpieces, this volume offers a remarkable range of material and subjects from this dramatic era in European history. Interesting works of high quality capture the magic and energy of the Baroque, whether acknowledged gems or lesser-known treasures. In addition to the highly readable entries, there is a fascinating Introduction and overview by Shelley Perlove and rich and rewarding essays on the various schools by Babette Bohn (Italian), George Keyes (Dutch), Kristen Nelson (Flemish) and Alvin Clark (French). There are certain to be delightful surprises for even the most seasoned connoisseur. --Suzanne Folds McCullagh, Anne Vogt Fuller and Marion Titus Searle Chair and Curator, Department of Prints and Drawings This stunning book brings together more than one hundred drawings by major seventeenth-century artists selected from eighteen municipal and university museums in Midwestern collections. It shows how these museums contribute so much to the wealth of old master drawings in American collections. The Dutch, Flemish, French, and Italian drawings are discussed by seven well-known art historians and museum curators, illustrated in color, with additional text figures. The editors visited more than forty Midwestern collections to make their careful selections for this beautifully produced volume. --Anne-Marie Logan, independent scholar and specialist in northern European drawings

This catalogue . . . distills the Midwest's surprisingly vast and varied inventory down to a manageable 109 drawings . . . this handsomely illustrated and thoroughly researched catalogue does these drawings justice. --Sixteenth Century Journal This catalogue . . . distills the Midwest's surprisingly vast and varied inventory down to a manageable 109 drawings . . . this handsomely illustrated and thoroughly researched catalogue does these drawings justice. --Sixteenth Century Journal This stunning book brings together more than one hundred drawings by major seventeenth-century artists selected from eighteen municipal and university museums in Midwestern collections. It shows how these museums contribute so much to the wealth of old master drawings in American collections. The Dutch, Flemish, French, and Italian drawings are discussed by seven well-known art historians and museum curators, illustrated in color, with additional text figures. The editors visited more than forty Midwestern collections to make their careful selections for this beautifully produced volume. --Anne-Marie Logan, independent scholar and specialist in northern European drawings An energetic and talented team of the foremost American scholars of seventeenth-century European drawings have combined forces to produce a fascinating compendium for the Midwest Art History Society. In a breathtaking sweep through an abundance of Italian and Dutch drawings, to a more succinct representation of Flemish and French masterpieces, this volume offers a remarkable range of material and subjects from this dramatic era in European history. Interesting works of high quality capture the magic and energy of the Baroque, whether acknowledged gems or lesser-known treasures. In addition to the highly readable entries, there is a fascinating Introduction and overview by Shelley Perlove and rich and rewarding essays on the various schools by Babette Bohn (Italian), George Keyes (Dutch), Kristen Nelson (Flemish) and Alvin Clark (French). There are certain to be delightful surprises for even the most seasoned connoisseur. --Suzanne Folds McCullagh, Anne Vogt Fuller and Marion Titus Searle Chair and Curator, Department of Prints and Drawings, The Art Institute of Chicago

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Shelley Perlove is professor emerita of art history at the University of Michigan.

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