Overview

Under martial law during World War II, Hawai'i was located at the intersection of home front and war front. In Settler Militarism, Juliet Nebolon shows how settler colonialism and militarization simultaneously perpetuated, legitimated, and concealed one another in wartime Hawai'i for the purposes of empire building in Asia and the Pacific Islands. She demonstrates how settler militarism operated through a regime of racial liberal biopolitics that purported to protect all people in Hawai'i, even as it intensified the racial and colonial differentiation of Kanaka Maoli, Asian settlers, and white settlers. Nebolon identifies settler militarism's inherent contradiction: It depends on life, labor, and land to reproduce itself, yet it avariciously consumes, via violent and extractive projects, those same lives and natural resources that it needs to subsist. From vaccination and blood bank programs to the administration of internment and prisoner-of-war camps, Nebolon reveals how settler militarism and racial liberal biopolitics operated together in the service of capitalism. Collectively, the social reproduction of these regimes created the conditions for the late-twentieth-century expansion of United States military empire.

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Juliet Nebolon is assistant professor of American studies at Trinity College. Jensen Olaya was born in Bataan, Philippines. The city is known for the Bataan Death March during WWII, but she knows it as the land of lush rice fields and friendly people. Her family emigrated when she was four, during much political upheaval. Corazon Aquino, the first female president of the Philippines, was dealing with a divided country after the twenty-year dictatorship of Ferdinand Marcos. It was a significant moment for a young girl to witness, but fortunately, her dad's military service took them out of the turmoil. As a US military brat Jensen's lived in Bataan, Yokohama, San Diego, and New York. She will never forget the smell of jet fuel, walking along the tarmac as a kid, next to fighter planes parked on top of the USS Midway. Fun fact: Jensen grew up in the same military base and went to the same high school that Mark Hamill did in Japan. To this day, her dream role is to command a fleet of rebel intergalactic space rangers, like an unlikely hero version of a Top Gun Maverick, in a galaxy far away. Jensen studied classical singing (she's a Mezzo) and world theater at San Diego State University. Her early twenties were pivotal; her mom lost her decade-long battle with cancer right after Jensen graduated. In Jensen's last semester, she was shuffling between performances of A Midsummer Night's Dream, shuttling her mom to her doctor's appointments, and managing her medications. During this chapter, acting was the only thing Jensen had to preserve her spirit. And that's when she decided to go all in. If she had to live in a world without her mother, then she would live with the tenacity to fill her life with purpose. In 2009, she sought out a scholarship to attend Columbia University's MFA in acting program and moved to NYC. She has been a proud New York actor ever since. As a stage-trained actor, Jensen is at home working in theater as well as commercials, animated TV, and voice-over more broadly. She is proud to be helping redefine Asian American representation for audiences across young adult, sci-fi, self-development, women's fiction, and children's content. Over the last twenty years, she's played a range of characters, from sprightly and sassy to androgynous and mythical, to clumsy and badass. As a mother of two children, she's focused on narratives that prioritize racial and gender equality, antiracism, inclusivity, parent-child relationships, and finding the magic in the everyday. Projects elevating Asian American politics and showcasing the nuances of Asian family dramas are also important to her. When not acting, Jensen is teaching her kids Tagalog, and about their mixed Filipino, Swedish, Scottish, and American heritage.

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