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9781804293300

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The work and messages of Ursula K. Le Guin, the author's longer-lived contemporary, come to mind. Both Suzuki and Le Guin knew that gender roles are a matter of costume or control, affect or affliction. The terms we use to define humanity are often inhuman -- Catherine Lacey * New York Times * Suzuki's unique sensibility, which combined a punk aesthetic with a taste for the absurd. Her work-populated by misfits, loners, and femmes fatales alongside extraterrestrial boyfriends, intergalactic animal traffickers, and murderous teen-agers with E.S.P.-wryly blurs the boundary between earthly delinquency and otherworldly phenomena. * New Yorker * Wild and restless ... I can't think of anyone I'd rather read than this countercultural icon of the Japanese literary underground. * Frieze * Suzuki's distinctly misanthropic voice enlivens these narratives of women whose mundane lives are altered - sometimes humorously, sometimes catastrophically * Washington Post * Suzuki's full-length Set My Heart on Fire takes place in the counterculture of 1970s Tokyo, full of rock and roll, drugs, and transgression. It's a world Suzuki knew intimately: the punk icon was deep in alternative music and film scenes during her short but brilliant life. If you like the bang and crash of loud music, and the passion and desire it inspires, you don't want to miss Suzuki's writing. -- James Folta * Lit Hub; Most Anticipated Books of 2024 * This is a novel about rock and roll and the obsession it inspires, set mostly in the quiet, late-night spaces where young people define their world through music....This novel is short and engrossing, and a great addition and counterpoint to Suzuki's short stories that Verso has already put out. While this novel doesn't have any of the speculative sci-fi elements of her stories, Set My Heart on Fire has the same dreamy, almost dazed tone. -- Emily Temple * Lit Hub * Suzuki blazes new emotional territory in this semi-autobiographical, instant cult classic.Viscerally translated by Helen O'Horan, Set My Heart on Fire follows its narrator, also named Izumi, through Tokyo's 1970s underground psychedelic-rock scene.A captivating example of Izumi Suzuki's virtuosic control of language and insight into the heart of gendered power dynamics. * Shelf Awareness *

The work and messages of Ursula K. Le Guin, the author's longer-lived contemporary, come to mind. Both Suzuki and Le Guin knew that gender roles are a matter of costume or control, affect or affliction. The terms we use to define humanity are often inhuman -- Catherine Lacey * New York Times * Suzuki's unique sensibility, which combined a punk aesthetic with a taste for the absurd. Her work-populated by misfits, loners, and femmes fatales alongside extraterrestrial boyfriends, intergalactic animal traffickers, and murderous teen-agers with E.S.P.-wryly blurs the boundary between earthly delinquency and otherworldly phenomena. * New Yorker * Wild and restless ... I can't think of anyone I'd rather read than this countercultural icon of the Japanese literary underground. * Frieze * Suzuki's distinctly misanthropic voice enlivens these narratives of women whose mundane lives are altered - sometimes humorously, sometimes catastrophically * Washington Post * Suzuki's full-length Set My Heart on Fire takes place in the counterculture of 1970s Tokyo, full of rock and roll, drugs, and transgression. It's a world Suzuki knew intimately: the punk icon was deep in alternative music and film scenes during her short but brilliant life. If you like the bang and crash of loud music, and the passion and desire it inspires, you don't want to miss Suzuki's writing. -- James Folta * Lit Hub; Most Anticipated Books of 2024 *

The work and messages of Ursula K. Le Guin, the author's longer-lived contemporary, come to mind. Both Suzuki and Le Guin knew that gender roles are a matter of costume or control, affect or affliction. The terms we use to define humanity are often inhuman -- Catherine Lacey * New York Times * Suzuki's unique sensibility, which combined a punk aesthetic with a taste for the absurd. Her work-populated by misfits, loners, and femmes fatales alongside extraterrestrial boyfriends, intergalactic animal traffickers, and murderous teen-agers with E.S.P.-wryly blurs the boundary between earthly delinquency and otherworldly phenomena. * New Yorker * Wild and restless ... I can't think of anyone I'd rather read than this countercultural icon of the Japanese literary underground. * Frieze * Suzuki's distinctly misanthropic voice enlivens these narratives of women whose mundane lives are altered - sometimes humorously, sometimes catastrophically * Washington Post *

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Izumi Suzuki (1949–1986) was a countercultural icon and a pioneer of Japanese science fiction. She worked as a keypunch operator before finding fame as a model and actress, but it was her writing that secured her reputation. She took her own life at the age of thirty-six.

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