Overview
Theatermakers in the United States have long been drawn to madness as a source of dramatic spectacle. During the Broadway musical’s “golden age,” creative teams used the currently in-vogue psychoanalytic ideas about mental life to construct troubled characters at odds with themselves and their worlds. As the clinical and cultural profile of madness transformed over the twentieth century, musicals continued to delve into the experience of those living with mental pain, trauma, and unhappiness. Seriously Mad offers a dynamic account of stage musicals’ engagement with historically significant theories about mental distress, illness, disability, and human variance in the United States. By exploring who is considered mad and what constitutes madness at different moments in U.S. history, Aleksei Grinenko shows how, in attempts to bring the musicals closer to “highbrow” sophistication, theater dramatized serious medical conditions and social problems. Among the many Broadway productions discussed are “Next to Normal,” “A Strange Loop” “Sweeney Todd,” “Man of La Mancha,” “Dear World,” “Anyone Can Whistle,” “Gypsy,” “Oklahoma!,” and “Lady in the Dark.”
Full Product Details
Author: Aleksei Grinenko
Publisher: The University of Michigan Press
Imprint: The University of Michigan Press
Weight: 0.272kg
ISBN: 9780472076444
ISBN 10: 0472076442
Pages: 282
Publication Date: 05 October 2023
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Temporarily unavailable
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Reviews
"""An original piece of work that addresses a notable gap in the field . . . Seriously Mad not only brings madness and musicals into dialogue but forges important ground in terms of the serious exploration of musical theater practice . . . Grinenko takes interest in the ways in which psychoanalysis shapes theatrical practice but also the broader cultural atmosphere around 'broken' minds."" --Anna Harpin, University of Warwick -- ""Anna Harpin, University of Warwick"" ""Reveals the complicated--and yet often repeated--intersection of musical theater and contemporaneous understandings of mental illness, in examples spanning decades. The research spans numerous fields including musical theater and the history of psychoanalysis, which are brought together in an entirely readable and persuasive way . . . The book will have an enormous impact on multiple fields."" --Jessica Sternfeld, Chapman University -- ""Jessica Sternfeld"""
Author Information
Aleksei Grinenko teaches theater disciplines at New York University's Tisch School of the Arts.
