|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Jasmine Sofia JannifPublisher: Anthem Press Imprint: Anthem Press Dimensions: Width: 15.30cm , Height: 2.10cm , Length: 22.90cm Weight: 0.454kg ISBN: 9781839996177ISBN 10: 183999617 Pages: 302 Publication Date: 13 January 2026 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available, will be POD This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released. Table of ContentsAcknowledgements; Explanatory Notes; Introduction- Theorizing the Bollywood Film Song: A Critical Retrospective; Chapter One- In the Beginning was the Song: Hindi Film Songs to 1950; Chapter Two- The Golden Age of Bollywood, Melodrama and Sentiment Analysis; Chapter Three-The Consolidation of Stylized Sentimentality; Chapter Four- The Bollywood Epic: Mughal-e-Azam; Chapter Five- Auteur Theory and the Legacy of Raj Kapoor; Chapter Six- Songs of World-Weariness: Guru Dutt; Conclusion- Love, Death and Desire: The Role of the Hindi Film Song; Appendix One- Table of Information on Songs from Selected Films: 1951–1963; Appendix Two- Song Register Data Analysis; Appendix Three- Rasa Data Analysis; Appendix Four- Song Texts from Chapter Five; Appendix Five- Song Texts from Chapter Six; Filmography of Key Films; Bibliography; IndexReviews“A wonderful piece of scholarship that offers close readings of key films and songs over two decades of Bollywood’s Golden Age. The textual analysis is such that not only do we learn more about the films and the cultural period of songs and images on-screen, but we are also offered an almost poetic rendition of the lyrics through the analysis. In this, the book is a real treat.” —Rajinder Dudrah, Professor of Cultural Studies and the Creative Industries, Birmingham City University, UK. “Dr. Jasmine Sofia Jannif explores how song shaped the melodramatic voice of mid-century Hindi cinema. Through rich analysis of 1950s’ and 1960s’ film music, she reveals how love—in all its forms—became central to cinematic storytelling. The book is a thoughtful re-evaluation of song’s emotional and narrative power in classic Hindi film.” —Andrew Alter, Associate Professor of Music Studies, Macquarie University, North Ryde, NSW, Australia. “The author’s monograph offers a detailed, insightful analysis of Hindi film music in Bollywood’s Golden Age. She reveals the emotional power of songs as narrative devices and, through Rasa theory, connects cinema to ancient art forms—explaining their cultural resonance and enduring mass appeal in Indian cinema.” —Makarand R. Paranjape, A.M., Ph.D. (UIUC), Sri Aurobindo Chair, Vedere University & Director of Education, AHCP LLC, Vedere University, Tampa, FL, USA. “A wonderful piece of scholarship that offers close readings of key films and songs over two decades of Bollywood’s Golden Age. The textual analysis is such that not only do we learn more about the films and the cultural period of songs and images on-screen, but we are also offered an almost poetic rendition of the lyrics through the analysis. In this, the book is a real treat.” —Rajinder Dudrah, Professor of Cultural Studies and the Creative Industries, Birmingham City University, UK. “Dr. Jasmine Sofia Jannif explores how song shaped the melodramatic voice of mid-century Hindi cinema. Through rich analysis of 1950s’ and 1960s’ film music, she reveals how love—in all its forms—became central to cinematic storytelling. The book is a thoughtful re-evaluation of song’s emotional and narrative power in classic Hindi film.” —Andrew Alter, Associate Professor of Music Studies, Macquarie University, North Ryde, NSW, Australia. “The author’s monograph offers a detailed, insightful analysis of Hindi film music in Bollywood’s Golden Age. She reveals the emotional power of songs as narrative devices and, through Rasa theory, connects cinema to ancient art forms—explaining their cultural resonance and enduring mass appeal in Indian cinema.” —Makarand R. Paranjape, A.M., Ph.D. (UIUC), Sri Aurobindo Chair, Vedere University & Director of Education, AHCP LLC, Vedere University, Tampa, FL, USA. “A wonderful piece of scholarship that offers close readings of key films and songs over two decades of Bollywood’s Golden Age. The textual analysis is such that not only do we learn more about the films and the cultural period of songs and images on-screen, but we are also offered an almost poetic rendition of the lyrics through the analysis. In this, the book is a real treat.” —Rajinder Dudrah, Professor of Cultural Studies and the Creative Industries, Birmingham City University, UK. “Dr. Jasmine Sofia Jannif explores how song shaped the melodramatic voice of mid-century Hindi cinema. Through rich analysis of 1950s’ and 1960s’ film music, she reveals how love—in all its forms—became central to cinematic storytelling. The book is a thoughtful re-evaluation of song’s emotional and narrative power in classic Hindi film.” —Andrew Alter, Associate Professor of Music Studies, Macquarie University, North Ryde, NSW, Australia. “The author’s monograph offers a detailed, insightful analysis of Hindi film music in Bollywood’s Golden Age. She reveals the emotional power of songs as narrative devices and, through Rasa theory, connects cinema to ancient art forms—explaining their cultural resonance and enduring mass appeal in Indian cinema.” —Makarand R. Paranjape, A.M., Ph.D. (UIUC), Sri Aurobindo Chair, Vedere University & Director of Education, AHCP LLC, Vedere University, Tampa, FL, USA. “A wonderful piece of scholarship that offers close readings of key films and songs over two decades of Bollywood’s Golden Age. The textual analysis is such that not only do we learn more about the films and the cultural period of songs and images on-screen, but we are also offered an almost poetic rendition of the lyrics through the analysis. In this, the book is a real treat.” —Rajinder Dudrah, Professor of Cultural Studies and the Creative Industries, Birmingham City University, UK. “Dr. Jasmine Sofia Jannif explores how song shaped the melodramatic voice of mid-century Hindi cinema. Through rich analysis of 1950s’ and 1960s’ film music, she reveals how love—in all its forms—became central to cinematic storytelling. The book is a thoughtful re-evaluation of song’s emotional and narrative power in classic Hindi film.” —Andrew Alter, Associate Professor of Music Studies, Macquarie University, North Ryde, NSW, Australia. “The author’s monograph offers a detailed, insightful analysis of Hindi film music in Bollywood’s Golden Age. She reveals the emotional power of songs as narrative devices and, through Rasa theory, connects cinema to ancient art forms—explaining their cultural resonance and enduring mass appeal in Indian cinema.” —Makarand R. Paranjape, A.M., Ph.D. (UIUC), Sri Aurobindo Chair, Vedere University & Director of Education, AHCP LLC, Vedere University, Tampa, FL, USA. “A wonderful piece of scholarship that offers close readings of key films and songs over two decades of Bollywood’s Golden Age. The textual analysis is such that not only do we learn more about the films and the cultural period of songs and images on-screen, but we are also offered an almost poetic rendition of the lyrics through the analysis. In this, the book is a real treat.” —Rajinder Dudrah, Professor of Cultural Studies and the Creative Industries, Birmingham City University, UK. “Dr. Jasmine Sofia Jannif explores how song shaped the melodramatic voice of mid-century Hindi cinema. Through rich analysis of 1950s’ and 1960s’ film music, she reveals how love—in all its forms—became central to cinematic storytelling. The book is a thoughtful re-evaluation of song’s emotional and narrative power in classic Hindi film.” —Andrew Alter, Associate Professor of Music Studies, Macquarie University, North Ryde, NSW, Australia. “The author’s monograph offers a detailed, insightful analysis of Hindi film music in Bollywood’s Golden Age. She reveals the emotional power of songs as narrative devices and, through Rasa theory, connects cinema to ancient art forms—explaining their cultural resonance and enduring mass appeal in Indian cinema.” —Makarand R. Paranjape, A.M., Ph.D. (UIUC), Sri Aurobindo Chair, Vedere University & Director of Education, AHCP LLC, Vedere University, Tampa, FL, USA. Author InformationJasmine Sofia Jannif is sometime Senior Lecturer at The University of the South Pacific and a Fulbright Scholar at the University of Wisconsin. Tab Content 6Author Website:Countries AvailableAll regions |
||||