Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective

Author:   Alberto Gabriele
Publisher:   Palgrave Macmillan
Edition:   Softcover reprint of the original 1st ed. 2017
ISBN:  

9781349956203


Pages:   309
Publication Date:   06 July 2018
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective


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Author:   Alberto Gabriele
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   Softcover reprint of the original 1st ed. 2017
Dimensions:   Width: 14.80cm , Height: 1.80cm , Length: 21.00cm
Weight:   0.454kg
ISBN:  

9781349956203


ISBN 10:   1349956201
Pages:   309
Publication Date:   06 July 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Introduction: “Sensationalism and the Genealogy of Modernity: Transnational Currents, Intermedial Trajectories. A Global Nineteenth-Century Approach”.- I. Sensational Tactics in the Nineteenth-Century.- James Brophy, “Irony and Popular Politics in Germany, 1800-1850”.- Stefanie Lethbridge, “The Horror of Clothing and the Clothing of Horror: Material and Meaning in Gothic and Sensation Fiction”.- Anthony Laube, “Adelaide, Sensationalism and the Development of New Journalism in the Early History of the South Australian Press”.- Efrat Pashut, ""Urban Perils and the Sensational Bicycle: Text-Image Dynamics in the Victorian Magazine Cycling, 1894-96”.- II. Transmedial Trajectories: the Vanishing Act of Performance.- Hélène Valance, “Destructive Re-creations: Spectacles of Urban Destruction in Turn-of-the-Century United States”.- Matthieu Letourneux, “The Magician’s Box of Tricks: Fantômas, Popular Literature, and the the Spectacular imagination”.- Katharina Rein, “Sawing People in Half: Sensationalist Magic Tricks and the Gendered Space of Performance in the Early Twentieth Century”.- Sabine Müller, “Sensational Voices. Premodern Theatricality, Early Cinema, and the Transformation of the Public Sphere in Fin-de-siècle Vienna”.- III. Visualizing the space of industrial modernity.- Michael Devine, “The Whole Thing (and Other Things): from Panorama to Attraction in Stephen Crane’s ‘The Open Boat,’ Ashcan Painting, and Early Cinema”.- Ester Coen, “Urban Metaphysics versus Metropolitan Dynamisms: The Italian Vision before WW1”.- Anat Messing Marcus, “Spatiality and Temporality in Benjamin and Adorno”.- Aubrey Tang, “The Sensibilities of Semicolonial Shanghai: A Phenomenological Study of the Short Stories by Liu Na'ou”.- Notes on Contributors.- Bibliography.- Index"

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Author Information

Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism and the forthcoming The Emergence of Precinema: Print Culture and the Optical Toy of the Literary Imagination. He is working on a project on the global circulation of print culture in the 1860s and has been, most recently, a Macgeorge fellow at the University of Melbourne, Australia.

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