Overview

At the intersection of music, philosophy, and religion, Sensational Rhythms of the Ineffable explores intimate collaborations between rhythm and body, showing how they engender deep devotional experiences and ethical sensations. The focus of ethnomusicologist Inderjit N. Kaur's study is Sabad Kirtan--the congregational singing of Sikh scriptural verses--integral to Sikh worship and everyday life in South Asia and its diaspora. Building on her lifelong practice of Sabad Kirtan as a singer, composer, and listener, Kaur implements a decolonial approach to research, theorizing, and writing, and the translation of Sikh sacred song-texts. Drawing on the Sikh metaphysics of Anhad Nad--the common vibration of all existence--Kaur uncovers the intertwining of scriptural philosophy, musical practice, and everyday living--what she names a ""Sikh theory of lived rhythm."" Engaging the ethnographic method of participant-sensation and an interdisciplinary phenomenological approach, her investigations elucidate musical rhythm as a process that amplifies the ineffable vibrations of the inherently rhythmic vital body, interweaving the rhythmicities of sound and lived life. The first book on Sikh devotional experience to combine new insights from scriptural songs with in-depth analyses of all three major styles of Sabad Kirtan, Sensational Rhythms of the Ineffable argues that diverse musical styles of Sabad Kirtan are but various means of intensifying the sensation of ethical interconnectedness. Offering unique perspectives on both Sikh Kirtan and Sikh philosophy, Kaur's study illuminates how Sikh musical worship is a practice of the embodiment of a relational oneness--a foundational ethical principle in Sikh philosophy and beyond.

Full Product Details

Author:   Inderjit N. Kaur (Associate Professor, Associate Professor, University of Michigan)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.00cm , Height: 2.50cm , Length: 22.60cm
Weight:   0.386kg
ISBN:  

9780197538999

ISBN 10:   0197538991
Pages:   296
Publication Date:   13 April 2026
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   To order  

Table of Contents

Acknowledgments Note on citation of the Sikh scripture, the Guru Granth Sahib Notes on orthography, capitalization, and pluralization Introduction: Decolonial Framing, Participant Sensation, and Translation Part I: Sikh Wisdom, Lived Rhythm, and Sabad Kirtan Chapter 1. Sabad Kirtan and its Intersensorial Ecology of Rhythms Chapter 2. Gurmat: The Philosophical Foundation of Embodied Interrelationality in Sabad Kirtan Chapter 3. Theory in Song: Anhad Nad and a Tripartite Sikh Model of Lived Rhythm Part II: Musical Rhythms and Ethical Affects in Diverse Styles of Sabad Kirtan Chapter 4. Flowing Flexible Rhythms: Time Vistas of Awe in ""Light-Style"" Sabad Kirtan Chapter 5. Cyclical Granular Rhythms: Shapely Timbres, Shapely Affects, in ""AKJ-Style"" (Akhand Kirtani Jattha) Sabad Kirtan Chapter 6. Recurring Gravitational Rhythms: Embodiment in the Time of Aura in ""Classical-Style"" Sabad Kirtan Part III: Concluding Thoughts: In the Realm of Unboundedness Chapter 7. The Work of Rhythm in Music and Beyond: Sensationalizing Ineffabilities and the Ethics of Interconnectedness Appendix A. The Place of Rag in Sikh Scripture and Kirtan Practice Appendix B. Interpreting ""Ghar"" in Scriptural Song Titles References Glossary of Sikh and Punjabi Terms Index

Reviews

Author Information

Inderjit N. Kaur is a scholar of Sikh sacred music, with expertise spanning the classical, popular, folk, and devotional musical cultures of South Asia, and the analytical lenses and methodological approaches of phenomenology, and sound, sensory, and affect studies. She has been particularly interested in issues of the intertwining of aesthetics and ethics, representation of native epistemologies, and decolonial modes of academic research, writing, and teaching. Kaur has shared her work on Sikh K=irtan in numerous published articles and conference presentations. She currently serves as co-editor of the journal Music & Politics, and is Associate Professor at the University of Michigan, Ann Arbor.

Tab Content 6

Author Website:  

Countries Available

All regions