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OverviewFull Product DetailsAuthor: Professor Scott Messing (Author)Publisher: Boydell & Brewer Ltd Imprint: University of Rochester Press Volume: v. 165 Dimensions: Width: 15.20cm , Height: 2.70cm , Length: 22.90cm Weight: 0.588kg ISBN: 9781580469654ISBN 10: 1580469655 Pages: 334 Publication Date: 01 May 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction Commencements and Contexts On the Reception of Schubert's Self-Quotations Two Scores and Their Musical Relationships Parents and Children: On the Background to ""Ave Maria"" From ""Ave Maria"" to Trio ""Dedicated to nobody, save those who find pleasure in it."" Contexts and Conclusions"ReviewsThis book offers a much-needed study of Schubert and his practices of self-quotation, a type of musical allusion that has yet to receive a book-length study of any kind, either one devoted to the music of a single composer or to the phenomenon as a whole. Messing's focus is obviously Schubert, but he has much to say about the practice in general, and his analysis will surely influence all subsequent discussions. Christopher Reynolds, professor of music at University of California, Davis Author InformationScott Messing is Charles A. Dana Professor of Music at Alma College. Tab Content 6Author Website:Countries AvailableAll regions |