Overview

TracesVictorian self-harm through an engagement with literary fiction Self-Harm in New Woman Writing offers a trans-disciplinary study of Victorian literature, culture and medicine through engagement with the recurrent trope of self-harm in writing by and about the British New Woman. Focusing on self-starvation, excessive drinking and self-mutilation, this study explores narratives of female resistance to Victorian patriarchy embedded in the work of both canonical and largely unknown women writers of the 1880s and 1890s, including Mary Angela Dickens and Victoria Cross. The book argues that the conditions of modernity now associated with self-harm in twentieth-century psychiatry (but beginning at the Fin de Siecle) provided the socio-cultural backdrop for a surge of interest in self-harm as a site of imaginative exploration at a time when women's role in society was rapidly changing. Key Features Highly interdisciplinary, combining medical history, archival and periodical research, art history, gender studies and literary studiesRe-assessment of well-known New Woman authors as well as original research into newly discovered New Woman authorsFirst book-length examination of self-harm in Victorian literary fictionFirst study to suggest that Victorian self-harm (broadly speaking) can be traced through an engagement with literary fiction long before its emergence as a clinical category of behavior in the twentieth centuryReappraisal of New Woman studies suggesting some of the ways very different types of New Woman writing converged around a single thematic concern, and attempts to account for this in socio-historic (and formal) termsDetailed discussion of the work of Mary Angela Dickens and Victoria Cross, two comparatively unknown authors (almost no scholarly work currently exists on Dickens's writing)

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9781474417686

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"Gray's book is a remarkable work of scholarship that may provide some unique perspectives to scholars who teach or study works by New Women writers and who struggle to promote the genre. Gray's new insights about the self-harming and damaged bodies in these texts may help modern readers to better understand and appreciate the efforts of female authors who tried to resist their limited worlds but could not imagine what new, better spheres might arise.--Casey Cothran, Winthrop University ""Tulsa Studies in Women's Literature"" Alexandra Gray's fascinating study is a welcome investigation of the paradoxical link between radical feminist thought and physical self-harm in fin-de-si�cle writing. Ranging widely over imaginative and scientific sources, it provides an invaluable contribution to our understanding of that perennially interesting and richly rewarding Victorian figure, the New Woman.-- ""Professor Gail Cunningham, Kingston University"""

Gray's book is a remarkable work of scholarship that may provide some unique perspectives to scholars who teach or study works by New Women writers and who struggle to promote the genre. Gray's new insights about the self-harming and damaged bodies in these texts may help modern readers to better understand and appreciate the efforts of female authors who tried to resist their limited worlds but could not imagine what new, better spheres might arise.--Casey Cothran, Winthrop University ""Tulsa Studies in Women's Literature"" Alexandra Gray's fascinating study is a welcome investigation of the paradoxical link between radical feminist thought and physical self-harm in fin-de-siècle writing. Ranging widely over imaginative and scientific sources, it provides an invaluable contribution to our understanding of that perennially interesting and richly rewarding Victorian figure, the New Woman.-- ""Professor Gail Cunningham, Kingston University""

Author Information

Alexandra Gray is a Sessional Lecturer in English Literature at the University of Portsmouth.

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