Selected Stories

Author:   Nadine Gordimer
Publisher:   Bloomsbury Publishing PLC
Edition:   New edition
ISBN:  

9780747549840


Pages:   436
Publication Date:   16 October 2000
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Selected Stories


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Overview

In these stories, selected by Gordimer herself, characters from every corner of society come to life, along with the South African landscape they inhabit. The stories have a strong focus on racial issues, yet their implications are universal. The stories are National Curriculum recommended reading.

Full Product Details

Author:   Nadine Gordimer
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Publishing PLC
Edition:   New edition
Dimensions:   Width: 12.80cm , Height: 2.90cm , Length: 19.70cm
Weight:   0.360kg
ISBN:  

9780747549840


ISBN 10:   0747549842
Pages:   436
Publication Date:   16 October 2000
Audience:   General/trade ,  Children/juvenile ,  General ,  Children / Juvenile
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

After South Africa, the first word that comes to mind is apartheid. Race relations is the subject of many of these stories, written and previously published in five collections over 30 years, and even when it is not the theme, racism hovers malignantly in the background. Nadine Gordimer is a liberal; her English characters are likewise - intelligent, civilized, politically conscious. Her Boers are louts, perhaps not quite human enough to be called into responsibility for the obscenity of South African policy. Her Bantu - they graduate in 30 years from native to African to Black - have something of the noble savage about them, from the encounter of a nice young girl with a ragged wretch who steals her purse in the first story here, Is There Nowhere Else Where We Can Meet? to the more psychologically sophisticated Africa Emergent which closes the selection with a fictional commentary on the necessity, in a police state, of proving one's allegiances by going to prison. Nadine Gordimer's stories are a straight mirror-image of her comfortable, efficient, for-whites-only country and now somewhat dated by the absence of rage or outrage. Cleanly composed, unobtrusively styled, they offer a convenient index to the rationale of the master vis-a-vis his black servant. (Kirkus Reviews)


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