Overview

Uncover the philosophical undercurrents that propel a century of artistic revolution, jolting cutting-edge French art from the calm elegance of David's Madame Recamier (1800) to the psychedelic world of Matisse's Luxe, Calme, et Volupte (1904). How? By looking at 18 leading artists through the lens of their paintings and of their writings on several hotly debated topics in the 19th-century art world. Seismic Shifts is essential for understanding specific artists such as Monet, movements such as Romanticism and Impressionism, and more broadly, how abstract philosophical ideas ""translate"" into art. The issues: 1) In creating an artwork, is reason or emotion more important? 2) Is style more important than subject? 3) Is rigorous training necessary - or even desirable - for an artist? 4) Who is competent to judge artworks? Styles covered: Neoclassicists, Romantics, Naturalists, Impressionists, Post-Impressionists, Pointillists, Symbolists, and Academics Artists discussed: David, Ingres, Corot, Gros, Gericault, Delacroix, Millet, Courbet, Manet, Monet, Renoir, Degas, Cezanne, Van Gogh, Gauguin, Seurat, Moreau, Bourguereau Art critics included: Baudelaire, Ruskin, Zola

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9781088236079

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At age five, I won my first writing award: a three-foot-long fire truck with an ear-splitting siren. I've been addicted to writing ever since. Today I'm an independent researcher, freelance writer, and lecturer. The challenge of figuring out how ideas and facts fit together, and then sharing what I know with others, clearly and concisely - that's what makes me leap out of bed in the morning. Janson's *History of Art*, lent to me by a high-school art teacher, was my first clue that art was more than the rock-star posters and garden gnomes that I saw in Catawissa, Pennsylvania, and that history wasn't just a series of names, dates, and statistics. Soon afterwards I read Ayn Rand's fiction and nonfiction works, and discovered that art and history - as well as politics, ethics, science, and all fields of human knowledge - are integrated by philosophy. My approach to studying art is based on Rand's *The Romantic Manifesto*. (See my review of it on Amazon.) As an art historian I'm a passionate amateur, and I write for other passionate amateurs. I love looking at art, and thinking about art, and helping other people have a blast looking at it, too. *Outdoor Monuments of Manhattan: A Historical Guide* (New York University Press, 2007), which includes 54 sculptures, was described by Sam Roberts in the *New York Times* as ""a perfect walking-tour accompaniment to help New Yorkers and visitors find, identify and better appreciate statues famous and obscure"" (1/28/2007). Every week I issue four art-related recommendations to my supporters, which have been collected in *Starry Solitudes* (poetry) and *Sunny Sundays* (painting, sculpture, architecture, literature, and more). For more of my works, see https: //diannedurantewriter.com/books-essays

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