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OverviewConsiders film as a form of Buddhist ritual and contemplative practice. Full Product DetailsAuthor: Francisca ChoPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.318kg ISBN: 9781438464381ISBN 10: 143846438 Pages: 190 Publication Date: 02 July 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Acknowledgment Abbreviations 1. Seeing Like the Buddha 2. The Karmic Narrative of Spring, Summer, Fall, Winter ...and Spring 3. The Meditative Discernment of Nang Nak 4. Rashomon and the Indiscernible Emptiness of Being 5. The Depth of Shadows in Maborosi 6. The Visual Cinema of Terrence Malick 7. Descent into the World Notes References IndexReviews""...[an] important new contribution to Buddhist studies and Buddhist film criticism."" - Publishers Weekly ...[an] important new contribution to Buddhist studies and Buddhist film criticism. - Publishers Weekly Author InformationFrancisca Cho is Associate Professor of Buddhist Studies at Georgetown University. Her books include Religion and Science in the Mirror of Buddhism (written with Richard K. Squier) and Embracing Illusion: Truth and Fiction in The Dream of the Nine Clouds, also published by SUNY Press. Tab Content 6Author Website:Countries AvailableAll regions |
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