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OverviewFull Product DetailsAuthor: Amelia Jones (McGill University, Canada)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.690kg ISBN: 9780415543828ISBN 10: 0415543827 Pages: 284 Publication Date: 21 March 2012 Audience: College/higher education , Tertiary & Higher Education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Chapter 1. Introduction, The Leaking Frame of the Argument on How to See Differently Chapter 2. Art as a Binary Proposition; Identity as a Binary Proposition Chapter 3. Fetishizing the Gaze and the Anamorphic Perversion: ""The Other is You"" Chapter 4. Multiculturalism, Intersectionality, and ""Post-Identity"" Chapter 5. Queer Feminist Durationality: Time and Materiality as a Means of Resisting Spatial Objectification Chapter 6. Seeing and Reconceiving Difference, Concluding Thoughts, without Final Conclusions"ReviewsAuthor InformationAmelia Jones is Professor and Grierson Chair in Visual Culture at McGill University in Montréal. Her recent publications include major essays on Marina Abramović (in TDR), on feminist art and curating, and on performance art histories, as well as the edited volume Feminism and Visual Culture Reader (2003, 2010). Her most recent book is Self/Image: Technology, Representation, and the Contemporary Subject (2006), will be followed in 2012 and her major volume, Perform Repeat Record: Live Art in History, co-edited with Adrian Heathfield, is due out in 2011. Tab Content 6Author Website:Countries AvailableAll regions |