Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala, and Beyond

Author:   Hilary E. Kahn
Publisher:   University of Texas Press
ISBN:  

9780292714557


Pages:   256
Publication Date:   01 December 2006
Format:   Paperback
Availability:   In Print   Availability explained
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Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala, and Beyond


Overview

The practice of morality and the formation of identity among an indigenous Latin American culture are framed in a pioneering ethnography of sight that attempts to reverse the trend of anthropological fieldwork and theory overshadowing one another. In this vital and richly detailed work, methodology and theory are treated as complementary partners as the author explores the dynamic Mayan customs of the Q'eqchi' people living in the cultural crossroads of Livingston, Guatemala. Here, Q'eqchi', Ladino, and Garifuna (Caribbean-coast Afro-Indians) societies interact among themselves and with others ranging from government officials to capitalists to contemporary tourists. The fieldwork explores the politics of sight and incorporates a video camera operated by multiple people-the author and the Q'eqchi' people themselves-to watch unobtrusively the traditions, rituals, and everyday actions that exemplify the long-standing moral concepts guiding the Q'eqchi' in their relationships and tribulations. Sharing the camera lens, as well as the lens of ethnographic authority, allows the author to slip into the world of the Q'eqchi' and capture their moral, social, political, economic, and spiritual constructs shaped by history, ancestry, external forces, and time itself. A comprehensive history of the Q'eqchi' illustrates how these former plantation laborers migrated to lands far from their Mayan ancestral homes to co-exist as one of several competing cultures, and what impact this had on maintaining continuity in their identities, moral codes of conduct, and perception of the changing outside world. With the innovative use of visual methods and theories, the author's reflexive, sensory-oriented ethnographic approach makes this a study that itself becomes a reflection of the complex set of social structures embodied in its subject.

Full Product Details

Author:   Hilary E. Kahn
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780292714557


ISBN 10:   0292714556
Pages:   256
Publication Date:   01 December 2006
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Chapter 1: Introduction Chapter 2: Field(s) of Engagement: Livingston and Proyecto Ajwacsiinel Chapter 3: Cycles of Debt: Colonialism, Coffee, and Companies Chapter 4: Envisioning Power and Morality: Tzuultaq'a, Germans, and Action-in-Place Chapter 5: Private Consumption, Communities, and Kin Chapter 6: Publicly Performing Moralities and Internalizing Vision Chapter 7: Anachronistic Mediators and Sensory Selves: Exploring Time and Space Chapter 8: Día de Guadalupe: Identity Politics Chapter 9: Crime, Globalization, and Ethnic Relations in Livingston and Beyond Chapter 10: I Am a Camera: Vignettes of Ethnographic Vérité Chapter 11: Endings and Beginnings Notes Glossary Bibliography Index

Reviews

""Hilary Kahn presents the readership with an interesting ethnography that defies the ""established"" methodology and assumptions about scientific objectivism...the introductory presentation of the methodological basis of Kahn's work is followed by ten descriptive and simultaneously analytical chapters...Kahn's book may be certainly read as a conventional ethnography...what makes it unconventional, however, is the author's challenge to the positivist gaze and the simplistic categorization blind to its own cultural and political facets. The book also illustrates in an original way: the photographs are not still pictures but sequences from video recordings that capture and convey actions rather than moments."" - Darius J. Piwowarczyk, Anthropos, 2009


Hilary Kahn presents the readership with an interesting ethnography that defies the established methodology and assumptions about scientific objectivism...the introductory presentation of the methodological basis of Kahn's work is followed by ten descriptive and simultaneously analytical chapters...Kahn's book may be certainly read as a conventional ethnography...what makes it unconventional, however, is the author's challenge to the positivist gaze and the simplistic categorization blind to its own cultural and political facets. The book also illustrates in an original way: the photographs are not still pictures but sequences from video recordings that capture and convey actions rather than moments. - Darius J. Piwowarczyk, Anthropos, 2009


Author Information

Hilary E. Kahn is Director of International Curriculum for the Office of International Affairs at Indiana University Purdue University Indianapolis. She is also Adjunct Assistant Professor of Anthropology for IUPUI and Indiana University, Bloomington.

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