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9781474411455

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Donovan Sherman's study is original in the ways in which it seeks to join together a theology of the soul and the mode of performance and theatre. I admire the determinedly ""pre-Cartesian"" thrust of the book, as also the sense that Shakespeare is doing philosophical work in the form of theatre.--Sarah Beckwith, Duke University

"Donovan Sherman's study is original in the ways in which it seeks to join together a theology of the soul and the mode of performance and theatre. I admire the determinedly ""pre-Cartesian"" thrust of the book, as also the sense that Shakespeare is doing philosophical work in the form of theatre.--Sarah Beckwith, Duke University"

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Donovan Sherman is Assistant Professor at Seton Hall University, New Jersey. His research explores intersections of Renaissance literature, theatre and performance studies, religion, and philosophy. In addition to this first book he is also working on a second, The Radical Present: Rethinking Humanism in/as Performance. He has published scholarly articles in Shakespeare Quarterly, The Journal of Medieval and Early Modern Studies, Shakespeare Bulletin and Theatre Journal.

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