Sculpture Journal: Volume 30.2 (2021)

Author:   Elisa Foster ,  Teresa Kittler ,  Eckart Marchand ,  Emma Payne
Publisher:   Liverpool University Press
ISBN:  

9781800859838


Pages:   128
Publication Date:   26 June 2021
Format:   Paperback
Availability:   In Print   Availability explained
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Sculpture Journal: Volume 30.2 (2021)


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Overview

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britain’s foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

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Author:   Elisa Foster ,  Teresa Kittler ,  Eckart Marchand ,  Emma Payne
Publisher:   Liverpool University Press
Imprint:   Liverpool University Press
ISBN:  

9781800859838


ISBN 10:   180085983
Pages:   128
Publication Date:   26 June 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Emma Payne is a Visiting Research Fellow at the Department of Classics, King’s College London, where she also completed a Leverhulme Early Career Research Fellowship (2018–2021), exploring the making of ancient Greek and Roman stone and plaster sculpture. She completed her PhD in 2017 at the Institute of Archaeology, University College London, studying the archaeological and historical significances of casts of classical sculpture. She is the author of Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age (Bloomsbury, 2021). Before her PhD, she trained as a conservator of archaeological and museum objects through which she gained a keen practical awareness of the materiality of objects. She presently works on a number of archaeological conservation projects as a freelance conservator, mainly in the southeast of England.

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