Overview

This major scholarly publication accompanies the exhibition at the Museum of Biblical Art, New York in Summer 2009 focusing attention on the extraordinary array of biblical prints produced in the Low Countries during the sixteenth and early seventeenth centuries, a time of dynamic religious and political change. In particular, the book studies the crucial role played by scriptural prints in the complex processes of religious self-formation that dominated early modern European culture. In cities such as Antwerp and Amsterdam, prints were the primary medium for the invention and dissemination of biblical imagery. Far from simply following artistic developments in the monumental arts, prints of Old and New Testament subjects were agents of innovation in their own right, offering a lens through which the Bible was received and interpreted. This volume features over 130 prints, woodcuts and engravings by Lucas van Leyden, Jan Swart van Groningen, Maarten van Heemskerck, Philips Galle, Hendrick Goltzius and Hieronymus Wierix, among others.

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9781904832669

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Reviews

serves both its principal purposes, as it instructs and delights simultaneously Larry Silver, The Art Book <br><br> An important contribution to the study of Netherlandish Bible illustration Peter van der Coelen, Print Quarterly <br><br> Aimed at upper level undergraduates or graduate students, reasonably priced, and expertly produced, this exhbition catalogue makes an excellent addition to the academic research library Kasia Leousis, Art Libraries Society of North America <br><br> Will make us use our eyes differently and encourage us to see deeper than we did before. It will certainly repay several readings Jay Turner, Vidimus

serves both its principal purposes, as it instructs and delights simultaneously Larry Silver, The Art Book An important contribution to the study of Netherlandish Bible illustration Peter van der Coelen, Print Quarterly Aimed at upper level undergraduates or graduate students, reasonably priced, and expertly produced, this exhbition catalogue makes an excellent addition to the academic research library Kasia Leousis, Art Libraries Society of North America Will make us use our eyes differently and encourage us to see deeper than we did before. It will certainly repay several readings Jay Turner, Vidimus

Author Information

Dr. James Clifton is Director of the Sarah Campbell Blaffer Foundation and curator in Renaissance and Baroque Painting, Museum of Fine Arts, Houston. He is the co-author of A Portrait of the Artist, 1525-1825: Prints From The Collection of the Sarah Campbell Blaffer Foundation (2005) and The Body of Christ in the Art of Europe and New Spain, 1150-1800 (1997). Dr. Walter Melion is Asa Griggs Candler Professor of Art History, Emory University and is the author of Shaping the Netherlandish Canon: Karel van Mander's SchilderboeckA"" and The Meditative Art: Studies in the Northern Devotional print, 1550-1625

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