Screening the Tortured Body: The Cinema as Scaffold

Author:   Mark de Valk
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2016
ISBN:  

9781137399175


Pages:   342
Publication Date:   16 November 2016
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Screening the Tortured Body: The Cinema as Scaffold


Overview

Inspired by Michel Foucault’s examination of state subjugation and control, this book considers post-structuralist notions of the ‘political technology of the body’ and 'the spectacle of the scaffold' as a means to analyse cinematic representations of politically-motivated persecution and bodily repression. Through a critique of sovereign power and its application of punishment ‘for transgressions against the state’, the collected works, herein, assess the polticised-body via a range of cinematic perspectives. Imagery, character construction and narrative devices are examined in their account of hegemonic-sanctioned torture and suppression as a means to a political outcome. Screening The Tortured Body: The Cinema as Scaffold elicits philosophical and cultural accounts of the ‘restrained’ body to deliberate on a range of politicised films and filmmakers whose narratives and mise-en-scène techniques critique corporeal subjugation by authoritarian factions.

Full Product Details

Author:   Mark de Valk
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2016
Dimensions:   Width: 14.80cm , Height: 2.40cm , Length: 21.00cm
Weight:   5.661kg
ISBN:  

9781137399175


ISBN 10:   1137399171
Pages:   342
Publication Date:   16 November 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Author Information

Mark de Valk is the Programme Leader and a Senior Lecturer in Film Production at The University of Winchester. His personal filmmaking includes working with essay film practices and experimental techniques across documentary and drama forms.

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