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OverviewFull Product DetailsAuthor: Magdalena CieslakPublisher: Bloomsbury Publishing Plc Imprint: Lexington Books Dimensions: Width: 15.30cm , Height: 2.10cm , Length: 21.90cm Weight: 0.426kg ISBN: 9781498563765ISBN 10: 1498563767 Pages: 294 Publication Date: 02 July 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsPart I: Doing It “Straight” Chapter 1—Michael Radford’s The Merchant of Venice Chapter 2—Kenneth Branagh’s As You Like It Chapter 3—Julie Taymor’s The Tempest Chapter 4—Joss Whedon’s Much Ado About Nothing Part II: BBC’s ShakespeaRe-Told—Retelling Shakespeare for Political Correctness Chapter 5—BBC’s ShakespeaRe-Told Much Ado About Nothing, dir. Brian Percival Chapter 6—BBC’s ShakespeaRe-Told The Taming of the Shrew, dir. David Richards Chapter 7— BBC’s ShakespeaRe-Told A Midsummer Night’s Dream, dir. Ed Fraiman Conclusion: Girl Power or Will Power? Epilogue: Bridget Jones’s BabyReviewsMagdalena Cieslak's Screening Gender offers insightful readings of Shakespeare's romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare's texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieslak's interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieslak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook * The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieślak’s interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieślak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook * Magdalena Cieslak’s Screening Gender offers insightful readings of Shakespeare’s romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare’s texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieslak's interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieslak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook * Magdalena Cieslak's Screening Gender offers insightful readings of Shakespeare's romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare's texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University Author InformationMagdalena Cieslak is assistant professor of English at the University of Lódz. Tab Content 6Author Website:Countries AvailableAll regions |