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OverviewFull Product DetailsAuthor: Charlotte BrunsdonPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.90cm , Length: 23.40cm Weight: 0.430kg ISBN: 9780415121552ISBN 10: 0415121558 Pages: 246 Publication Date: 08 May 1997 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsGeneral introduction Part I The defence of soap opera 1 Crossroads: notes on soap opera 2 Writing about soap opera 3 Feminism and soap opera 4 The role of soap opera in the development of feminist television criticism Part II Career girls 5 A subject for the seventies 6 Men’s genres for women 7 Post-feminism and shopping films Part III Questions of quality 8 Aesthetics and audiences 9 Problems with quality 10 Satellite dishes and the landscapes of taste Part IV Feminist identities 11 Pedagogies of the feminine 12 Identity in feminist television criticismReviewsAuthor InformationCharlotte Brunsdon teaches in the Department of Film and Television Studies at the University of Warwick. She edited the collection Films for Women (1986) and is the co-editor, with Julie D’Acci and Lynn Spigel, of Feminist Television Criticism: A Reader (1997). Tab Content 6Author Website:Countries AvailableAll regions |