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9781474486187

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The through-line of Scottish Writing After Devolution is the combined 'crisis' and 'interregnum' of this period. But these essays don't hide in indeterminacy. They show Scottish literature and Scottish literary criticism breaking in dozens of directions - none too comfortable with the nation-lodestar at which they've often been pointed. --Corey Gibson, University of Glasgow

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Marie-Odile Pittin-Hedon is Professor of Scottish Literature at Aix-Marseille Université (AMU), France. She has published extensively on 20th and 21st-century fiction. Her previous publications include Women and Scotland: Literature, Culture, Politics (edited volume, Presses Universitaires de Franche Comté, 2020) and The Space of Fiction: Voices from Scotland in a post-devolution age, (Scottish Literature International, 2015). Camille Manfredi is Professor of Scottish Literature at the University of Western Brittany (UBO), France. Her previous publications include Nature and Space in Contemporary Scottish Writing and Art (Palgrave Macmillan, 2019) and Alasdair Gray: Ink for Worlds (edited volume, Palgrave Macmillan, 2014). Scott Hames is Senior Lecturer in Scottish Literature at the University of Stirling, and author of The Literary Politics of Scottish Devolution (EUP, 2020), which draws extensively on post-1960s magazines and their debates. With Malcolm Petrie, he led the AHRC-funded Scottish Magazines Network on which this book is based. With Eleanor Bell, he co-founded the International Journal of Scottish Literature. He has edited or co-edited closely related volumes on Scottish Writing After Devolution (EUP, 2022), Unstated: Writers on Scottish Independence (Word Power, 2012) and The Edinburgh Companion to James Kelman (EUP, 2010).

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