Scottish Art

Author:   Murdo Macdonald
Publisher:   Thames & Hudson Ltd
ISBN:  

9780500203330


Pages:   224
Publication Date:   20 March 2000
Format:   Paperback
Availability:   In Print   Availability explained
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Scottish Art


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Full Product Details

Author:   Murdo Macdonald
Publisher:   Thames & Hudson Ltd
Imprint:   Thames & Hudson Ltd
Dimensions:   Width: 15.00cm , Height: 1.60cm , Length: 21.00cm
Weight:   0.450kg
ISBN:  

9780500203330


ISBN 10:   0500203334
Pages:   224
Publication Date:   20 March 2000
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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What makes Scottish art Scottish? What are the threads that bind it into a single tradition? Certain stylistic features, such as the heritage of Celtic design with its emphasis on intricate pattern, recur throughout the centuries, not least in the work of Charles Rennie Mackintosh and Scottish Art Nouveau. But at a deeper level it emerges through themes and ideas, aspects of landscape and history to which Scottish artists have continually returned: the presence of the sea and the Highlands, the hardships of the Scottish people, incidents of Scottish history and portraits of those who have formed Scottish culture - especially in literature and philosophy. A close connection with France has also been surprisingly persistent, from medieval times almost to the present. All these factors have formed the character of Scottish art, but at the same time it is rich in distinctive personalities and individual genius. Murdo Macdonald brings the artists to life within the wider panorama and his book comes opportunely given the recent resurgence of Scottish culture and identity. (Kirkus UK)


Author Information

Murdo Macdonald is emeritus professor of the history of Scottish art at the University of Dundee. In his doctoral research at the University of Edinburgh he studied the relationships between art and science. He is a former editor of Edinburgh Review. His research has explored, among other things, the cultural revival milieu of Patrick Geddes, the art of the Scottish Gàidhealtachd, visual interpretations of the life and work of Robert Burns and the aesthetics of the cloud chamber photography of the Scottish physicist and Nobel laureate C. T. R. Wilson. He has a long-standing interest in Ossian and art in an international context. He was appointed an honorary member of the Royal Scottish Academy of Art and Architecture in 2009, and an honorary fellow of the Association for Scottish Literary Studies in 2016.

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