Science and Art: The Contemporary Painted Surface

Author:   Antonio Sgamellotti (Accademia Nazionale dei Lincei, University of Perugia, Italy) ,  Brunetto Giovanni Brunetti (INSTM, University of Perugia, Italy) ,  Costanza Miliani (CNR-ISTM, Perugia, Italy) ,  Gianluca Poldi
Publisher:   Royal Society of Chemistry
Volume:   0002
ISBN:  

9781788014694


Pages:   544
Publication Date:   01 July 2020
Format:   Hardback
Availability:   In Print   Availability explained
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Science and Art: The Contemporary Painted Surface


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Author:   Antonio Sgamellotti (Accademia Nazionale dei Lincei, University of Perugia, Italy) ,  Brunetto Giovanni Brunetti (INSTM, University of Perugia, Italy) ,  Costanza Miliani (CNR-ISTM, Perugia, Italy) ,  Gianluca Poldi
Publisher:   Royal Society of Chemistry
Imprint:   Royal Society of Chemistry
Volume:   0002
Weight:   1.003kg
ISBN:  

9781788014694


ISBN 10:   1788014693
Pages:   544
Publication Date:   01 July 2020
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Jackson Pollock's Drip Paintings: Tracing the Introduction of Alkyds through Non-invasive Analysis of Mid-1940s Paintings; Piero Manzoni, Achromes: An Initial Investigation into the Chemical and Technical Characterisation of the Artist’s Materials; 1949-1968 Concetti spaziali by Lucio Fontana – A Historical-Artistic and Technical Study; Josef Albers’ practice with 20th Century pigments. A non-invasive analytical approach; From Identification to a New Insight of Preservation Theory for Contemporary Art. Innovative Approaches to Complex Care in Alina Zapocznikow Case Studies; The Colors of Lina Bo Bardi: Analytical Investigations of Lina’s Felt-tip Pens; “Art is not Science”: A Study of Materials and Techniques in Five of Enrico Baj’s Nuclear Paintings; On Video Art Preservation. A Conversation with Fabrizio Plessi; Arte Concreto Invención. Towards an industrialized surface aesthetics; Judith Lauand: Art and Technology of a Brazilian Concrete Painter; A new substance under the sun. How synthetic polymers were selected and transformed into works of art by Ângelo de Sousa, Julião Sarmento and Lourdes Castro; Miquel Barceló: The Rotten and The Waste As A Fundamental Part Of The Process; Explosive Beauty: The Art of Cai Guo-Qiang; There Are. Fabre’s visual art; Hockney, Hume and Chandra: Surface, Change and Conservation; The Deep Meaning of Poetry. Eduardo Kac’s Art of the Fundamental Processes; When Surgery Meets Conservation: The Treatment of the Multi-material Sculpture Love Me by Sarah Lucas; Diagrams, Technology and New Materials: the Scientific Nature of Loris Cecchini’s Artworks; Spectral Revisions: A Colourful Expert Conversation; Painting with Acrylics: José Gutiérrez, Gunther Gerzso and the Material Innovation in Mexican Contemporary Painting; Industrial Design objects in the Museum environment; From Context to Content. On the Preservation of Net-based Art; Painted Surfaces in Contemporary Architecture

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