Schubert

Author:   Julian Horton ,  Michael Spitzer
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781472439376


Pages:   516
Publication Date:   11 December 2015
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Schubert


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Full Product Details

Author:   Julian Horton ,  Michael Spitzer
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   1.188kg
ISBN:  

9781472439376


ISBN 10:   1472439376
Pages:   516
Publication Date:   11 December 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Introduction. Part I History and Biography: Poor Schubert: images and legends of the composer, Christopher H. Gibbs; Franz Schubert and the peacocks of Benvenuto Cellini, Maynard Soloman; The peacock's tale: Schubert's sexuality reconsidered, Rita Steblin; Constructing a Victorian Schubert: music, biography and cultural values, David Gramit; Unfinished considerations: Schubert's 'unfinished' symphony in the context of his Beethoven project, John Gingerich. Part II Reception and Interpretation: Schubert's Symphony in C, Robert Schumann; Schubert (1928), Theodor W. Adorno; Schubert's promissory note: an exercise in musical hermeneutics, Edward T. Cone; Schubert and the sound of memory, Scott Burnham. Part III Harmony and Tonality: Tonality, Donald Francis Tovey; As wonderful as star clusters: instruments for gazing at tonality in Schubert, Richard L. Cohn; Three examples of functional chromatic mediant relations in Schubert, David Kopp; 'Die junge Nonne' (D. 828), David Damschroder with David Kopp. Part IV Instrumental Music: Schubert's sonata form and Brahms's first maturity, James Webster; Sonata form in Schubert: the first movement of the G-Major String Quartet, Op. 161 (D. 887), Carl Dahlhaus; On the subject of Schubert's 'unfinished' symphony: was bedeutet die Bewegung?, Richard Kurth; Schubert's homecoming, Nicholas Marston; Schubert's sonata forms and the poetics of the lyric, Su Yin Mak. Part V Song: A romantic detail in Schubert's Schwanengesang, Joseph Kerman; 'Auf dem Flusse': image and background in a Schubert song, David Lewin; Behind the scenes: die schoene Mullerin before Schubert, Susan Youens; The Schubert Lied: romantic form and romantic consciousness, Lawrence Kramer; The shadow of midnight in Schubert's 'Gondelfahrer' settings, David T. Bretherton. Name index.

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Author Information

Julian Horton is Professor and Head of the Department of Music at Durham University, UK and President of the Society for Music Analysis. Christopher H. Gibbs, Maynard Soloman, Rita Steblin, David Gramit, John Gingerich, Robert Schumann, Theodor W. Adorno, Edward T. Cone, Scott Burnham, Donald Francis Tovey, Richard L. Cohn, David Kopp, David Damschroder, James Webster, Carl Dahlhaus, Richard Kurth, Nicholas Marston, Su Yin Mak, Joseph Kerman, David Lewin, Susan Youens, Lawrence Kramer, David T. Bretherton.

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