Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea

Awards:   Winner of Wallace Berry Award 2015 Winner of Wallace Berry Award 2015. Winner of Wallace Berry Award, Society for Music Theory 2015
Author:   Jack Boss (University of Oregon)
Publisher:   Cambridge University Press
ISBN:  

9781107046863


Pages:   463
Publication Date:   02 October 2014
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea


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Awards

  • Winner of Wallace Berry Award 2015
  • Winner of Wallace Berry Award 2015.
  • Winner of Wallace Berry Award, Society for Music Theory 2015

Overview

Full Product Details

Author:   Jack Boss (University of Oregon)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 19.50cm , Height: 2.70cm , Length: 25.20cm
Weight:   1.200kg
ISBN:  

9781107046863


ISBN 10:   1107046866
Pages:   463
Publication Date:   02 October 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'Future scholars interested in following Boss's lead will benefit immeasurably from his careful analyses, his synthesis of previous scholarship, and, perhaps most of all, the provocative questions his work raises.' Zachary Bernstein, Journal of Music Theory 'Densely informative and richly detailed, Jack Boss's monograph on Schoenberg's twelve-tone music is the product of an impressive thirteen years of analytical work, itself drawing on a career-spanning engagement with Schoenberg's music. ... The sincerity of the project is unquestionable and Jack Boss communicates both expertise and laudable passion.' Andrew J. Chung, Current Musicology 'Boss's groundbreaking book provides a new and illuminating methodology for understanding, exploring, and appreciating Schoenberg's music.' Joe Argentino, Music Theory Online 'Future scholars interested in following Boss's lead will benefit immeasurably from his careful analyses, his synthesis of previous scholarship, and, perhaps most of all, the provocative questions his work raises.' Zachary Bernstein, Journal of Music Theory 'Densely informative and richly detailed, Jack Boss's monograph on Schoenberg's twelve-tone music is the product of an impressive thirteen years of analytical work, itself drawing on a career-spanning engagement with Schoenberg's music. ... The sincerity of the project is unquestionable and Jack Boss communicates both expertise and laudable passion.' Andrew J. Chung, Current Musicology 'Boss's groundbreaking book provides a new and illuminating methodology for understanding, exploring, and appreciating Schoenberg's music.' Joe Argentino, Music Theory Online


'Future scholars interested in following Boss's lead will benefit immeasurably from his careful analyses, his synthesis of previous scholarship, and, perhaps most of all, the provocative questions his work raises.' Zachary Bernstein, Journal of Music Theory 'Densely informative and richly detailed, Jack Boss's monograph on Schoenberg's twelve-tone music is the product of an impressive thirteen years of analytical work, itself drawing on a career-spanning engagement with Schoenberg's music. ... The sincerity of the project is unquestionable and Jack Boss communicates both expertise and laudable passion.' Andrew J. Chung, Current Musicology 'Boss's groundbreaking book provides a new and illuminating methodology for understanding, exploring, and appreciating Schoenberg's music.' Joe Argentino, Music Theory Online


Author Information

Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others).

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