Overview
Nathaniel Wallace’s Scanning the Hypnoglyph chronicles a contemporary genre that exploits sleep’s evocative dimensions. While dreams, sleeping nudes, and other facets of the dormant state were popular with artists of the early twentieth century (and long before), sleep experiences have given rise to an even wider range of postmodern artwork. Scanning the Hypnoglyph first assesses the modernist framework wherein the sleeping subject typically enjoys firm psychic grounding. As postmodernism begins, subjective space is fragmented, the representation of sleep reflecting the trend. Among other topics, this book demonstrates how portrayals of dormant individuals can reveal imprints of the self. Gender issues are taken up as well. “Mainstream,” heterosexual representations are considered along with depictions of gay, lesbian, and androgynous sleepers.
Full Product Details
Author: Nathaniel Wallace
Publisher: Brill
Imprint: Brill
Volume: 46
Dimensions:
Width: 15.50cm
, Height: 2.50cm
, Length: 23.50cm
Weight: 0.695kg
ISBN: 9789004316188
ISBN 10: 9004316183
Pages: 344
Publication Date: 23 September 2016
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
Wallace offers a fascinating exploration of how humans have sought to represent that most elusive cousin of thanatos, sleep itself. While setting his parameters within the modernist and post-modernist eras, W. engages with a wide-ranging swath of discourses (from Platonic philosophy to 17th century French painting to contemporary cognitive science), all of which have addressed the challenges of speaking the unsayable nature of dormancy. The author identifies sleep's critical function as resistant to narrative processes, as humans alternatingly cede to and resist psychic maturation. In the process, if somewhat paradoxically, his investigation reveals much about how we tell stories of the self (the diarist's impulse), or seek to escape the grasp of those stories. Taken discretely, Wallace's analyses of verbal and visual representations of sleep initiate the reader into various interpretive strategies that allow us to better contemplate sleeping subjects (though our full comprehension of those subjects may remain just out of reach). Particularly impressive is Wallace's understanding of Baudelaire's sonnets as heralding a modernist approach to sleep, one that reflects upon the precarious realities of urban sprawl. Cumulatively, Wallace's readings chart conflicted but entangled attitudes toward sleep that, on the one hand, uphold its salubrious restorative potential and, on the other, condemn its allure as an escape from industry and cognition. A well developed and erudite approach to sleep that is anything but soporific, Wallace's book should prove a critical conversant in the ever evolving debates that surround discourses of sleep as well as its antithesis, the vigilant Argos that is twenty-first century surveillance. - Hunter H. Gardner, University of South Carolina Scanning the Hypnoglyph is a trove of fascinating and surprising references. Wallace's deciphering of sleep gives elegant and extensive voice to the unsayable, thereby enriching our imagination and understanding of how subjectivity can become shaped and reshaped through sleep. This is a must read for comparatists, not simply for its content but also for its methodologies. - Wenying Xu, Jacksonville University, Florida, in The Comparatist, vol. 44, October 2020 Wallace casts his net wide, providing detailed analysis of writers from North America, France, and Japan and no less detailed scrutiny of the work of visual artists from North America, Germany, and France. The book is handsomely illustrated and Wallace reads visual texts as patiently and astutely as he reads literary ones. [...] It is difficult to imagine a reader interested in the history of sleep who would not learn something from every chapter of this book. - Michael Greaney, Lancaster University, in MLR, vol. 116, iss. 3, 2021
Wallace offers a fascinating exploration of how humans have sought to represent that most elusive cousin of thanatos, sleep itself. While setting his parameters within the modernist and post-modernist eras, W. engages with a wide-ranging swath of discourses (from Platonic philosophy to 17th century French painting to contemporary cognitive science), all of which have addressed the challenges of speaking the unsayable nature of dormancy. The author identifies sleep's critical function as resistant to narrative processes, as humans alternatingly cede to and resist psychic maturation. In the process, if somewhat paradoxically, his investigation reveals much about how we tell stories of the self (the diarist's impulse), or seek to escape the grasp of those stories. Taken discretely, Wallace's analyses of verbal and visual representations of sleep initiate the reader into various interpretive strategies that allow us to better contemplate sleeping subjects (though our full comprehension of those subjects may remain just out of reach). Particularly impressive is Wallace's understanding of Baudelaire's sonnets as heralding a modernist approach to sleep, one that reflects upon the precarious realities of urban sprawl. Cumulatively, Wallace's readings chart conflicted but entangled attitudes toward sleep that, on the one hand, uphold its salubrious restorative potential and, on the other, condemn its allure as an escape from industry and cognition. A well developed and erudite approach to sleep that is anything but soporific, Wallace's book should prove a critical conversant in the ever evolving debates that surround discourses of sleep as well as its antithesis, the vigilant Argos that is twenty-first century surveillance. Hunter H. Gardner, University of South Carolina
Author Information
Nathaniel Wallace, a comparatist by training (Ph.D., Rutgers), teaches English at South Carolina State University. He has published on varied topics, sleep included. He has held NEH and Camargo fellowships and lectured in Norway (University of Bergen) on a Fulbright.
