Sayles Talk: New Perspectives on Independent Filmmaker John Sayles

Author:   Diane Carson ,  Heidi Kenaga
Publisher:   Wayne State University Press
ISBN:  

9780814331552


Pages:   288
Publication Date:   31 December 2005
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Sayles Talk: New Perspectives on Independent Filmmaker John Sayles


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Full Product Details

Author:   Diane Carson ,  Heidi Kenaga
Publisher:   Wayne State University Press
Imprint:   Wayne State University Press
Dimensions:   Width: 17.10cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.460kg
ISBN:  

9780814331552


ISBN 10:   0814331556
Pages:   288
Publication Date:   31 December 2005
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   English

Table of Contents

Reviews

Sayles Talk pays tribute to an American master with far-ranging concerns. These dozen essays highlight the extent of John Sayles's engagement and innovation and cast new--and welcome--light on his film style. An engaging and timely volume showcasing twenty-five years of independent film.--Chris Holmlund chair of the Cinema Studies Program, University of Tennessee, author of Impossible Bodies: Femininity and Masculinity at the Movies The variety of essays in Sayles Talk ably fills a long-standing need in film literature for a sound critical introduction to the values and working methods of one of America's most respected and successful independent filmmakers.--Marshall Deutelbaum professor emeritus of English, Purdue Univeristy Sayles Talk makes an eloquent and thorough case for seeing John Sayles as a major American filmmaker, though one more akin to Ford or Welles than to Stone or Tarantino. Because his films explore various classical cinematic genres with a politically aware if wary camera, at once socially realistic yet aesthetically self-aware, Sayles complicates many of the binaries that organize much contemporary film criticism: mainstream versus independent, transparent versus self-conscious, modern versus postmodern. In the sustained 'hybridity' and intelligence of his filmmaking, Sayles has created a cinematic legacy that will continue to inspire, as the essays in Sayles Talk convincingly attest.--Leland Poague Iowa State University, author of Another Frank Capra


"Sayles Talk makes an eloquent and thorough case for seeing John Sayles as a major American filmmaker, though one more akin to Ford or Welles than to Stone or Tarantino. Because his films explore various classical cinematic genres with a politically aware if wary camera, at once socially realistic yet aesthetically self-aware, Sayles complicates many of the binaries that organize much contemporary film criticism: mainstream versus independent, transparent versus self-conscious, modern versus postmodern. In the sustained 'hybridity' and intelligence of his filmmaking, Sayles has created a cinematic legacy that will continue to inspire, as the essays in Sayles Talk convincingly attest.--Leland Poague ""Iowa State University, author of Another Frank Capra "" Sayles Talk pays tribute to an American master with far-ranging concerns. These dozen essays highlight the extent of John Sayles's engagement and innovation and cast new--and welcome--light on his film style. An engaging and timely volume showcasing twenty-five years of independent film.--Chris Holmlund ""chair of the Cinema Studies Program, University of Tennessee, author of Impossible Bodies: Femininity and Masculinity at the Movies "" The variety of essays in Sayles Talk ably fills a long-standing need in film literature for a sound critical introduction to the values and working methods of one of America's most respected and successful independent filmmakers.--Marshall Deutelbaum ""professor emeritus of English, Purdue Univeristy """


Author Information

Diane Carson is professor of film studies at St. Louis Community College at Meramec. Among other books, she is editor of John Sayles: Interviews (University Press of Mississippi, 1999) and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance (Wayne State University Press, 2004). Heidi Kenaga is adjunct assistant professor in the Department of Communication at the University of Memphis.

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